Beyonce Self Titled Album Download

Beyoncé
Studio album by
ReleasedDecember 13, 2013
Recorded2012–2013
Studio
    • Fetalmaus Studio
    • Sterling Sound Studios
      (New York City, New York)
    • Kings Landing Studios
      (The Hamptons, New York)
    • Mirrorball Studios
    • Westlake Recording Studios
      (West Hollywood, California)
    • Russell's of Clapton
      (London, England)
    • Tritonus Studios
      (Berlin, Germany)
    • Trackdown Studios
      (Sydney, Australia)
Genre
  • Alternative R&B[1]
Length66:35
Label
Director
  • Beyoncé
  • Ed Burke
  • Pierre Debusschere
  • Bill Kirstein
  • @lilinternet
  • Ricky Saiz
  • Todd Tourso
Producer
  • Beyoncé (also exec.)
  • Rasool Ricardo Diaz
Beyoncé chronology
4: The Remix
(2011)
Beyoncé
(2013)
Beyoncé: Platinum Edition / More Only
(2014)
Beyoncé studio album chronology
4
(2011)
Beyoncé
(2013)
Lemonade
(2016)
Singles from Beyoncé
  1. 'XO'
    Released: December 16, 2013
  2. 'Drunk in Love'
    Released: December 17, 2013
  3. 'Partition'
    Released: February 25, 2014
  4. 'Pretty Hurts'
    Released: June 10, 2014

Dec 13, 2013 - Beyonce has surprised everybody by releasing her brand new self-titled album on iTunes without any promotion whatsoever before doing so!

Beyoncé is the eponymous fifth solo album by American singer Beyoncé. The record was released on December 13, 2013, by Parkwood Entertainment and Columbia Records. Developed as a 'visual album', its songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark, intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.

  • Sign in now to see your channels and recommendations! Watch Queue Queue.
  • Beyonce released her top-secret, self-titled fifth studio album at midnight on Dec. 13, and with 14 tracks and 17 music videos — not to mention cameos by Jay-Z, Timbaland, Justin Timberlake.

The album's initial recording began in New York City, where Beyoncé invited producers and songwriters to live with her for a month. During extensive touring the following year, the album changed as she conceived of creating a visual accompaniment to its songs and resumed recording sessions with electronic producer and rock musician Boots. Their collaboration led to more sonically experimental material, which combined contemporary R&B with electronic and soul music. Throughout this period, the album's songs and videos were composed in strict secrecy as Beyoncé devised an unexpected release.

Beyoncé (the Album) was released digitally on the iTunes Store without prior announcement or promotion, and debuted at number one on the US Billboard 200, earning Beyoncé her fifth consecutive number-one album on the chart. The album sold over 617,000 copies in the United States and 828,773 copies worldwide in its first three days of sales, becoming the fastest-selling album in the history of the iTunes Store up to that point.[2] According to the International Federation of the Phonographic Industry (IFPI), Beyoncé was globally the tenth-best-selling album of 2013.[3] It received universal acclaim from critics, who praised its production, exploration of sexuality, and vocal performance. The album was reissued in November 2014 as part of a platinum edition, along with an extended play of new songs, and has sold over 15 million copies worldwide. Part of the album was promoted on The Mrs. Carter Show World Tour during the 2014 legs.

Beyoncé is the second longest charting album by a black woman on the Billboard 200 behind I Am... Sasha Fierce, spending 185 weeks on the chart (as of 2019).

  • 14Charts

Background[edit]

Following the release of her fourth studio album 4 (2011), Beyoncé gave birth to her first child, Blue Ivy on January 7, 2012.[4] Just four months after labor, she pursued a three-night residency at Revel Atlantic City's Ovation Hall, entitled Revel Presents: Beyoncé Live.[5][nb 1] The choice to hold concerts so soon was purposeful; Beyoncé intended to demonstrate to mothers that they need not halt their careers despite having had children.[7] Most of the summer following the residency was spent in The Hamptons, New York, where she took time out from the public to spend time with her daughter and to begin sessions for her next album.[8] She resumed work in early 2013, performing 'The Star-Spangled Banner' at PresidentBarack Obama's second inauguration and headlining the Super Bowl XLVII halftime show, where there were expectations she would debut new music, although these rumors never materialized.[9] She also released a self-directed autobiographical documentary in February, entitled Life Is But a Dream.[8]

The demo 'Bow Down / I Been On' was the first recording released from Beyoncé.[nb 2] Its controversial refrain and unorthodox, experimental production was noted as a significant departure from Beyoncé's existing catalogue.[11]
Problems playing this file? See media help.

In March 2013, a two-part hip hop track entitled 'Bow Down/I Been On' was released onto Beyoncé's SoundCloud account.[11] 'Bow Down', produced by Hit-Boy, was written after Beyoncé woke up one morning with a chant stuck in her head, feeling angry and defensive.[10][12] This was melded with a Timbaland-produced second half 'I Been On' that makes prominent use of a pitch-distorted vocal as a homage to the Houston hip hop scene.[13][nb 3] Michael Cragg of The Guardian described the song as 'brilliantly odd', commending its loud, abrasive production,[11] while Pitchfork's Lindsay Zoladz noted the song's assertiveness and believed it served as an introduction of what was to come.[13] 'Bow Down/I Been On' was perceived as a significant departure from Beyoncé's existing catalogue, particularly for its aggressive nature.[11][13] The song's atmosphere and its controversial 'Bow down, bitches' refrain drew a mixed reaction from those who questioned whether the lyric was aimed at women or merely a moment of braggadocio.[10][15] Beyoncé clarified after the album's release, where elements of 'Bow Down' appear on the track 'Flawless', that the song and its refrain were intended as a statement of female empowerment.[10]

Neither Beyoncé or her representatives commented on the release of 'Bow Down/I Been On', and many journalists questioned the nature of its release in the context of the release of her upcoming album.[13] Further confusion was created when portions of other tracks 'Grown Woman' and 'Standing on the Sun' were used for television advertising campaigns, with a similar lack of explanation as to their purpose.[16] Through much of 2013, the media intermittently reported that the album was delayed or scrapped, with one story alleging Beyoncé had scrapped fifty songs in favor of starting again. In July 2013, a spokesperson for Beyoncé denied speculation that her album had been delayed, stating there was no official release date to begin with and that when a date is set, it would be announced via an official press release.[17] There was considerable confusion among music journalists and fans as Beyoncé engaged in extensive touring, while not discussing the album or its release.[9][16]

Recording and production[edit]

Recording sessions began in the summer of 2012 in The Hamptons, New York, where Beyoncé and her husband Jay-Z were living.[8][18] She invited producers and songwriters to accompany them, including Sia,[19] Timbaland, Justin Timberlake and The-Dream.[8] Beyoncé described the atmosphere as unconventional, saying, 'we had dinners with the producers every day, like a family... it was like a camp. Weekends off. You could go and jump in the pool and ride bikes... the ocean and grass and sunshine... it was really a safe place.'[8] She would spend the majority of her day with her newborn daughter, taking some hours out to record music. The album's opening track 'Pretty Hurts', co-written by Sia, was completed during these sessions.[12][19] The project was suspended until 2013 and relocated to Jungle City and Oven Studios in New York City, where most of the album was recorded.[12] In an interview for Vogue in January 2013, Jason Gay described Beyoncé's attention to detail as 'obsessive' when observing her studio, noting the vision boards she created for inspiration, which contained potential song titles, old album covers and pictures of performances.[8]

The first part of 'Haunted'—known as 'Ghost'[nb 4]— was one of the earliest compositions of Beyoncé and Boots.[20] Beyoncé raps a stream of consciousness with robotic vocal inflections[21] over slow, layered guitars inspired by the work of English electronic musician Aphex Twin.[20][22]
Problems playing this file? See media help.

In mid-2013, a relatively unknown artist Boots, signed a publishing deal with Jay-Z's Roc Nation. In an interview for Pitchfork after the album's release, Boots was coy when answering questions about how Beyoncé discovered his demo or of his work previous to the project, only confirming his signing. In June 2013, they met in person for the first time and Boots presented Beyoncé with material he felt would resonate with her. However, Beyoncé was more interested in his experimental material, and he reluctantly played her his song 'Haunted' on his cellphone. She refused to ignore its potential. At a later meeting, he played her a stream of consciousness rap called 'Ghost', which he wrote after an exasperating meeting with a potential record label. Boots began by composing a melody that reminded him of a hypnotic state, then layering guitar arpeggios to resemble the work of English electronic musician Aphex Twin. Subsequently, 'Ghost' became the first half of 'Haunted'; he later described Beyoncé as the 'only visionary in the room' for her ability to find potential in scraps of songs. Following these sessions, Boots would go on to work on eighty percent of Beyoncé.[20]

While recording in New York City, the previously released 'Bow Down' was incorporated into a track that became 'Flawless'.[23] During its composition, Beyoncé chose to interpolate a portion of Chimamanda Ngozi Adichie's TED talk 'We Should All Be Feminists' into it as she identified with her interpretations of feminism.[24] Organic approaches were taken when writing and recording 'Drunk in Love' and 'Partition'. When working with Detail and Timbaland on a beat that became 'Drunk in Love', she was inspired by what she described as pure enjoyment, as both she and Jay-Z free-styled their verses for the track in the studio. Similarly, the bassline of 'Partition', which Beyoncé found reminiscent of hip hop music during her early romance with Jay-Z, influenced her to accompany the track with sexual lyrics.[19] She took to a microphone without pen and paper and rapped the first verse, finding herself initially embarrassed by the explicitness of the lyrics. When composing 'Partition', a rap known as 'Yoncé' was used as the opening of the track, the beat of which was built by Justin Timberlake banging on buckets in the studio.[25]

Only four songs were not recorded entirely in New York studios: 'Superpower' and 'Heaven', which were partially recorded in California, as well as 'No Angel' which was composed in London and 'XO' in Berlin and Sydney.[12] Although the demo of 'XO' was recorded when Beyoncé had contracted a sinus infection, the vocals were never re-recorded as she felt their imperfections fit more appropriately.[26] In October, the album began taking shape and 'Standing on the Sun' and 'Grown Woman' were removed[nb 5]—songs which had been previewed in 2013 on television advertisements—from Beyoncé to fit in with its minimalist approach.[27] During Thanksgiving week, the vocals on the album were edited and producers were notified to submit their final cuts.[27] Beyoncé spent less time on vocal production than she had done with her previous projects, instead focusing on perfecting the album's music.[26]Beyoncé was mastered at Sterling Sound in New York City.[12] In total, eighty songs were recorded for the album.[28]

Visuals[edit]

Beyoncé first considered the idea of creating a 'visual album' in June 2013, when only three or four songs had been completed.[29] Explaining her motivation, she said she would often connect images, childhood memories, emotions and fantasies to songs she was in the midst of composing, and that she 'wanted people to hear the songs with the story that's in my head as that's what makes it mine'. She highlighted the immersive experience of Michael Jackson's Thriller (1982) as the principal influence for creating a body of work that 'people would hear things differently and [...] actually be able to see the whole vision of the album'.[30]

The videos were filmed between June and November 2013 in various countries as the singer traveled on her world tour.[18] Todd Tourso, who directed the videos for 'Jealous' and 'Heaven', served as the creative director for the entire project.[29] Much of his role concerned liaising between Beyoncé, who for most videos already had concepts, and the respective directors who also had propositions. As most videos were shot outside of the US, the crew surrounding the videos was small, consisting only of Tourso, the director of photography and producer, as well as Beyoncé and her stylist, make-up artist and security.[29] When filming in public, Beyoncé would wear in-ear headphones instead of having the music played out loud, in order to maintain the secrecy of the project and prevent any songs leaking.[31] By the time of post-production, the songwriting process began to converge with the content of the visuals and Beyoncé would watch unedited footage to fit the music to them. 'Flawless', 'Rocket' and 'Mine' were noted as having been changed by their visual counterparts, Tourso commenting that 'she would rewrite some lines, or she would add certain audio, or she would add bridges' and believed that 'it would complete the picture of where the audio needed to go'.[10]

Several videos were intended to demonstrate the album's central theme of 'finding the beauty in imperfection'. While working on 'Flawless', Beyoncé was reminded of her loss on television competition Star Search as a child, which she saw as a defining moment in her career, and believed that the competition had taught her how to embrace imperfection in the future.[24] The theme was represented in the videos by the recurring use of trophies, which the singer saw as referencing 'all of the sacrifice I have made as a kid, all of the time that I lost'.[24] It was also carried into how the visuals were created, with the videos for 'Drunk in Love', 'Yoncé', 'No Angel', 'XO' and 'Blue' shot without prior preparation, as the singer found enjoyment in the spontaneity of the filming locations and in resisting the urge to perfect them.[28] Noting some of the visuals' explicit content and exposure of her body, Beyoncé said she found shooting them liberating and expressed her intention to demonstrate sexuality as a power that women should have, and not lose after becoming a mother. She went on to say, 'I know finding my sensuality, getting back into my body, being proud of growing up, it was important to me that I expressed that... I know that there are so many women who feel the same way'.[19]

Music and lyrics[edit]

Beyoncé is a fourteen track set with seventeen short films: a video for each audio track, two extra videos to accompany the two-part tracks 'Haunted' and 'Partition', as well as a bonus video for 'Grown Woman', which lacks an equivalent audio counterpart.[12] Departing from the traditional R&B leanings of its predecessor, 4 (2011),[32]Beyoncé's songs are predominantly alternative R&B.[33][nb 6] Hence, musically, the album may be located in the post-dubstep era,[35] fusing electronic music with R&B and soul.[36][37][38] The album's dark, moody production[35] is more textured than previous releases[21] and songs are characterized by heavy bass and loud hi-hats, as well as prominent synthesizers.[32] A quality of restraint features among most songs 'with subdued pulses, ambient effects and throbbing grooves that sneak up on you, threatening to explode but only occasionally transforming'.[39]

The album adopts unconventional song structure and as Evan Rytlewski of The A.V. Club notes, many songs '[emphasize] moody, shifting beats and drawn-out vibe sessions' and are left to slowly unfurl.[40] This is particularly prominent on 'Haunted' and 'Partition' which function as two-part suites.[21] The dream-like state created on 'Haunted' is ushered in with a stream of consciousness rap entitled 'Ghost' which transitions from 'smoky ethereality to off-kilter club beat',[32] amid a shifting bassline and ghostly keyboards.[22] 'Partition' begins with 'Yoncé', a slick rap set over a simple Middle Eastern rhythm.[22] The song is divided by a brief interlude of camera clicks and the whirring of a car window, before launching into a second-half that melds synthesizer pulses with finger snaps to create a Southern hip hop bassline.[19][37][41] Over this, the song follows a candid narrative that describes sex in the back of a limousine when travelling to a nightclub.[37][41]

Several critics noted the album's extensive exploration of sexuality.[39][42] Having been a singer since the age of nine, Beyoncé felt 'stifled' by the perception she was a role model for young children, and now into her thirties, believed she had 'earned the right to [...] express any and every side of [her]self'.[43] Addressing the album's sexual content specifically, Beyoncé said: 'I don't at all have any shame about being sexual and I'm not embarrassed about it and I don't feel like I have to protect that side of me.'[19] Several critics described Beyoncé's sex songs as a celebration of monogamous love.[23][33][38] 'Drunk in Love' is a duet with her husband Jay-Z, and features lyrics heavily laden with double entendres that explore lust within their sexual relationship.[39] It fuses intermittent trap beats with heavy bass,[41] skittering synthesizers and drums,[44] and Arabic-scale vocal arpeggios.[45] Beyoncé's vocals are diverse, including a melodramatic chorus sung in her upper register and a half-rapped second verse.[23] 'Blow' veers from a thumping jazz beat[46] created with sparse piano chords[22] and guitars[47] to a 'swinging electro-funk groove'[22] with elements of neo-disco.[38] Its erotic, tongue-in-cheek lyrics include a running cunnilingus metaphor of 'licking Skittles' in its chorus.[32] The slow-jam 'Rocket' is a homage to D'Angelo's soul-infused 'Untitled (How Does It Feel)' (2000).[37][48] Described by Entertainment Weekly's Nick Catucci as a 'slippery, six-and-a-half-minute funk excursion',[41] Beyoncé adopts a slow, harmonious vocal[37] as she instructs her love interest to watch her perform a striptease.[49]

'We raise girls to see each other as competitors. Not for jobs or for accomplishments (which I think can be a good thing) but for the attention of men. We teach girls that they cannot be sexual beings in the way that boys are. Feminist: the person who believes in the social, political, and economic equality of the sexes'. Adichie's (pictured) speech is sampled on 'Flawless'.[50]

Much like her previous albums, the record is feminist, with greater exploration of gender issues and conflated with 'an unwavering look at black female sexual agency.'[37][42][51] Soraya McDonald of The Washington Post viewed Beyoncé as significant to black feminism as it celebrates black female sexuality in mainstream music and in the context of hip hop, where it is typically only shown through the male perspective.[51] The album's most explicit commentary on gender is the three-part 'Flawless'. It opens with the earlier released 'Bow Down', before seguing into an excerpt of a speech by Chimamanda Ngozi Adichie on the socialization of girls.[32][37] The final part uses a staccato, trap beat[32] as Beyoncé reflects on her own feminist attitudes, encouraging self-acceptance among women and criticizing misogynist sentiments.[49][52]

Other songs allude to darker themes of fear and personal insecurities. Beyoncé noted that the album displayed 'sides of [her] that only a few people had seen', adding that 'all of us want happiness... sometimes you have to take the insecurities to get to the secure place. And all of those things I feel happy to express'.[43] Caitlin White of The 405 believed the songs as 'hold forth on the most important issues in a woman's life by delving into [the singer's] personal experience with them'.[49] 'Jealous' addresses fidelity and features lyrics in which the protagonist experiences 'promises, suspicion and potential revenge'.[37] It contains an 'uncanny mix of tones and styles', most prominently a morose bassline replete with electronic yelps.[23] 'Mine', a futuristic R&B song[38] with jazz elements,[22] is self-reflective, with lyrics that reference marital strife and difficulties with postnatal depression.[40] The neo soul song 'Pretty Hurts' is a self-empowerment anthem that decries society's obsession with harmful and unattainable standards of beauty.[23][37][42] The song uses audio snippets of beauty pageants which Beyoncé contested in to frame the song in the context of her childhood.[37]

Beyoncé's vocal production is diverse; several songs are half-rapped and half-sung with particular use of falsetto and head voice.[23]The Telegraph's Neil McCormick notes that while the singer uses her expansive vocal range, unlike her previous releases, she restrains from belting and vocal runs as to increase tension in the music.[39] 'No Angel', a chillwave song[21] with influences of minimalist hip hop music,[39] is noted for its use of the falsetto vocal register,[23] with a delivery that is 'threatening to fray'.[22] The doo wop-inspired duet with Frank Ocean 'Superpower' is sung in the lower register of both singers, while employing girl group harmonies similar to Beyoncé's work in Destiny's Child.[22][37][39] The love song 'XO' uses several vocal techniques to evoke a celebration of love and life,[53] including echo[54] and several hooks.[55] Its ascending chorus lines use call and response, as well as backing vocals of a sing-along crowd, as Beyoncé sings of how her 'darkest nights' are enlightened by her lover's face.[56] The album's closing tracks are midtempoballads 'Heaven' and 'Blue'. 'Heaven' is an emotive, piano-led hymn with gospel elements,[22][37] while 'Blue' is built on a piano melody over which Beyoncé sings of the love for her daughter, using her full vocal range.[23][41]

Artwork[edit]

Tourso was tasked with designing Beyoncé's album cover, which he found difficult considering it was a visual album and thus 'inundated with imagery'. Over three months he considered over a hundred options, only to proceed with his very first idea. He was inspired by the cover of Metallica's eponymous fifth studio album (1991) to create a bold statement, specifically to deviate from a 'beauty shot' of Beyoncé which he felt would be expected. He used a font similar to placards used in boxing matches to represent abrasive masculinity, which was contrasted by the greyish-pink font which he described as 'a subversion of femininity'.[10]

Release and promotion[edit]

I miss that immersive experience, now people only listen to a few seconds of song on their iPods and they don't really invest in the whole experience. It's all about the single, and the hype. It's so much that gets between the music and the art and the fans. I felt like, I don't want anybody to get the message, when my record is coming out. I just want this to come out when it's ready and from me to my fans.

—Beyoncé discussing her intention behind Beyoncé's unconventional release.[57]

Throughout 2013, Beyoncé worked on the project in strict secrecy, sharing details of the album with a small circle of people and continually shifting the deadline, which was only finalized a week before its release.[27] She later explained that her intent was to reinstate the idea of an album release as a significant, exciting event which had lost meaning in the face of hype created around singles.[30]

In early December 2013, Beyoncé and her management company Parkwood Entertainment held meetings concerning its release with executives from Columbia Records and the iTunes Store, using the code name 'Lily' for the album.[27] Meetings were also held with Facebook executives in regard to advertising that resulted in the album benefiting from the social network's then new 'Auto Play' feature for videos.[58] On December 9, 2013, Rob Stringer, Chairman of Columbia Records, knowingly told media that the album would be released at some point in 2014 and it would be 'monumental'.[59] On December 13, 2013, the album was released in the early hours of the morning without any prior announcement or promotion exclusively on the iTunes Store. The singer commented that she was 'bored' of her music being marketed as it had been done previously, and wanted its release to be a different experience for her fans.[60] The album was available exclusively on iTunes Stores until December 20, 2013, when physical copies were distributed to other retailers.[61] Parkwood Entertainment had a seventy-two-hour turnaround from the moment the album was released online to prepare its physical release.[58]

As soon as the album became exclusively available to iTunes Stores, Sony Music handed down an edict that forbade retailers to put the album up for pre-order, as to further protect the exclusivity with the iTunes Store.[62] It was then reported that American retailers Target and Amazon Music[62] refused to sell the physical copies of the album. According to a Target spokesperson, the store was only interested in retailing albums which were released digitally and physically simultaneously.[63] On December 21, 2013, all the videos from the album were screened at the SVA Theater in New York City.[64]

After the album's release, Beyoncé performed 'XO' during the remaining stops of the North American leg of The Mrs. Carter Show World Tour in December 2013.[65][66] In early 2014, she performed 'Drunk in Love' for the first time at the 56th Annual Grammy Awards on January 26.[67] 'XO's first televised performance was at the 2014 BRIT Awards on February 19, marking her first performance at the ceremony since the one held in 2004.[68][69][70] Later that month, songs from the album were added to the set list of the second European leg of The Mrs. Carter Show World Tour.[71] All the music videos from the album were screened at the 2014 Los Angeles Film Festival on June 13 along with commentary from three of the videos' directors who were present at the ceremony.[72] To further promote the album, Beyoncé embarked on her first co-headlining stadium tour with Jay-Z.[73] The On the Run Tour kicked off in Miami on June 25, 2014 and ended in Paris on September 13, 2014.[73][74] A pre-recorded performance of 'Partition' from the tour was broadcast at the 2014 BET Awards on June 29.[75] Beyoncé performed a sixteen-minute medley of the album's songs at the 2014 MTV Video Music Awards on August 24.[76]

Singles[edit]

Two lead singles were released from Beyoncé. 'XO' impacted contemporary hit radio in Italy and hot adult contemporary radio in the United States on December 16, 2013.[77][78] The following day, it impacted urban contemporary, rhythmic contemporary and contemporary hit radio stations in the United States.[79][80][81] 'XO' peaked at number forty-five on the US Billboard Hot 100 and reached the top twenty in charts around the world.[82]

Accompanying the release of 'XO', the other lead single 'Drunk in Love' was serviced to urban contemporary radio stations in the United States on December 17, 2013.[83] It peaked at number two on the US Billboard Hot 100 and number one on the US Hot R&B/Hip-Hop Songs and Rhythmic charts.[84] 'Drunk in Love' also peaked at number seven in New Zealand and number nine in France and the United Kingdom.[85][86] The song was certified platinum by the Recording Industry Association of America (RIAA), denoting sales of one million digital copies.[87]

'Partition' impacted urban contemporary radio in the United States on February 25, 2014 as the album's third single.[88] It peaked at number twenty-three on the US Billboard Hot 100 and number one on the US Dance Club Songs.[82][89]

On April 24, 2014, the music video for the fourth single 'Pretty Hurts' was made available for streaming via Time magazine's official website to accompany Beyoncé's feature as one of the world's most influential people.[90] The song impacted contemporary hit and rhythmic radio in the United States on June 10, 2014[91] and contemporary hit radio in the United Kingdom on June 23, 2014.[92]

'Flawless' was released as the fifth and final single from the album. Its remix, featuring Nicki Minaj, was released on August 12, 2014.

Critical reception[edit]

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.1/10[93]
Metacritic85/100[94]
Review scores
SourceRating
AllMusic[95]
The Daily Telegraph[39]
Entertainment WeeklyA−[41]
The Guardian[96]
Los Angeles Times[48]
NME8/10[35]
Pitchfork8.8/10[33]
Rolling Stone[38]
Spin9/10[21]
The Times[97]

Beyoncé received widespread acclaim from music critics. At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream publications, the album received a high score of 85, based on 34 reviews.[94] Critics generally commended the album as thematically and musically bold, as well as emphasizing its visual aspect and surprise release; many said it was her magnum opus.[21][22][23][95]

Beyonce Self Titled Tracklist

Beyonce Self Titled Album Download

The album's exploration of sexuality was particularly well received by reviewers. The New York Times' chief critic Jon Pareles described the tracks as 'steamy and sleek, full of erotic exploits and sultry vocals' noting that 'every so often, for variety, they turn vulnerable, compassionate or pro-feminist'.[37] Caitlin White, writing for The 405, characterized Beyoncé as a feminist text. She noted that the tracks demonstrate Beyoncé's desire to retain complete sexual agency, while also forgoing the expectations of pop songcraft by placing female pleasure at the forefront unquestioningly.[49]Robert Christgau admired the album's 'sex sequence' of songs, where for 'over seven well-differentiated tracks', Beyoncé 'performs the unlikely feat of conveying an open-ended eroticism that varies because [she] knows eroticism does, for each of us in our individual responses as well as for her'.[98]PopMatters' David Amidon similarly praised the album's honest, highly sexual nature, observing it was 'her first attempt at bridging an audience, making music that makes the men want to hear what she has to say and the women feel like they can say it to men as well'.[99]

Other reviews recognized that the album eschewed contemporary R&B in favor of more experimental compositions. Pitchfork writer Carrie Battan wrote that Beyoncé was 'exploring sounds and ideas at the grittier margins of popular music' and rejecting 'traditional pop structures in favor of atmosphere'.[33]Spin's Anupa Mistry felt it was 'more textured than its predecessors in both sound and content', and applauded the singer's transition to a maturer sound of 'big-hook message pop, multi-directional, mood-shifting suites and delicately resonant R&B ballads'.[21] Noting the lack of 'guaranteed hits', NME believed that the 'low-key, moody production throws the spotlight on the words and the images brought to play' and described it as her most experimental work to date.[35]Rolling Stone's pop critic Rob Sheffield found Beyoncé's boldness among its best attributes, believing the album is at its 'strongest when it goes for full-grown electro soul with an artsy boho edge'.[38] Mikael Wood of Los Angeles Times highlighted a desire to push creative boundaries among the tracks and admired 'how the music similarly blends the intimate and the extravagant',[48] while Entertainment Weekly writer Nick Catucci concluded that the album was characterized by 'clashing impulses—between strength and escape, megapop and fresh sounds, big messages and resonant lyrics'.[41]

Self

Praise was also reserved for Beyoncé's vocal performance. The Telegraph's Neil McCormick declared Beyoncé as 'one of the most technically gifted vocalists in pop' favoring her 'gospel power, hip-hop flow and [huge] range'. He was particularly complementary of the vocal restraint displayed across the tracks that was absent from previous releases.[39]Kitty Empire of The Observer noted the diverseness of her vocals on the album's up-tempo songs and found the singer ranging between 'squeaky sexed-up falsettos, hood rat rapping, wordless ecstasies and effortless swoops'.[42]Clash regarded her voice most effective on the album's ballads, where they commented on how diversely her vocals conveyed feelings of love and described her 'power and control [as] breathtaking'.[52]

Accolades[edit]

Despite being released in December when several publications had completed their year-end lists,[100]Beyoncé was ranked the best album of the year by Billboard,[101]Houston Chronicle[102] and Los Angeles Times,[103] while Spin ranked it the best R&B album of the year.[104] As of January 2015, Billboard also named Beyoncé as the second best album of the 2010s so far.[105] The album was ranked within the top ten on lists by Associated Press,[106]HitFix,[107]MTV News,[108]Club Fonograma[109] and Digital Spy.[110]Beyoncé was ranked at number eleven on Metacritic's twenty-five best-reviewed albums of 2013.[111] On the annual Pazz and Jop mass critics poll of the year's best in music, the album was ranked at number four.[112]Robert Christgau, the poll's creator, ranked it eighteenth on his own year-end list.[113] Some publications included Beyoncé on their 2014 lists, and it was deemed the best album of the year by Vibe, Pretty Much Amazing and Nate Chinen of The New York Times.[114]Consequence of Sound listed the effort as the eighteenth best one from 2014[115] and Tiny Mix Tapes, the fortieth one.[116]Pitchfork named Beyoncé the fourteenth best album of the decade (2010–2014) so far,[117]FACT listed the album as the ninth best one from the same period.[118]Spin considered the album the thirty-eighth best one of the past thirty years (1985–2014)[119] and Q named it one of the greatest albums of the past thirty years.[120]Beyoncé was also included on the 2016 update of the 1001 Albums You Must Hear Before You Die.[121]

The album was nominated for five Grammy Awards at the 57th Annual Grammy Awards (2015), including Album of the Year, Best Urban Contemporary Album, Best Surround Sound Album and Best R&B Song and Best R&B Performance for 'Drunk in Love',[122] winning the latter three. In a recreation of an infamous incident at the 2009 MTV Video Music Awards,[nb 7]Kanye West briefly appeared on stage during the presentation of the Album of the Year award to Beck's Morning Phase (2014) in protest of Beyoncé not winning.[124] While it initially appeared to be a joke as West returned to his seat, he said in comments following the ceremony that Beck 'needs to respect artistry and he should have given his award to Beyoncé'.[125] He later apologized for his comments.[126]

At the 2014 MTV Video Music Awards, Beyoncé was presented with the Michael Jackson Video Vanguard Award for her work on the visual album, performing a sixteen-minute medley of its songs. Van Tofler, president and CEO of Viacom, noted that their choice for the Vanguard Award was influenced by this project, saying, 'when [she] put out the record and the way she did it in such a visual way, she was the most obvious choice'.[76] She won a further three awards, Best Collaboration for 'Drunk in Love', and Best Cinematography and Best Video with a Social Message for 'Pretty Hurts'.[127] The album was nominated for World's Best Album at the 2014 World Music Awards and Album of the Year at the 2014 MTV Video Music Awards Japan.[128][129] It also received two nominations at the 2014 Billboard Music Awards for Top Billboard 200 Album and Top R&B Album, while 'Drunk in Love' was nominated for Top R&B Song.[130] At the 2014 mtvU Woodie Awards, Beyoncé won in the category Did It My Way Woodie, awarded for the album's release strategy.[131] It won in the category for Album of the Year at the 2014 Soul Train Music Awards and Favorite Soul/R&B Album at the American Music Awards of 2014.[132][133]

Commercial performance[edit]

Beyonce Self Titled Album Download

During its first day of release in the United States, Beyoncé sold 80,000 units in three hours[134] and a total of 430,000 digital copies within 24 hours.[135] In its second day, the album sold 120,000 units, which brought its two-day sales total to 550,000.[136]Billboard predicted it to sell around 600,000 digital copies by the end of the tracking week on December 15, 2013.[135]Beyoncé debuted at number one on the Billboard 200, with three-day sales of 617,213 digital copies.[137][138] This gave Beyoncé her fifth consecutive number-one album, making her the first female artist to have her first five studio albums debut atop the chart.[138] It also became the largest debut sales week for a female artist in 2013, and the highest debut sales week of her solo career. The album also gave her the three largest sales weeks by any female and she became the only female to sell 300,000 copies within a week in 2013 and became the first person this decade to score 300,000 copies in each of its first 3 weeks.[138][139]Beyoncé marks the fourth-largest sales week of an album during 2013, behind Justin Timberlake's The 20/20 Experience, Eminem's The Marshall Mathers LP 2 and Drake's Nothing Was the Same.[138]

In its second week, the album remained at number one, selling an additional 374,000 copies.[140] Ten days after its release, Beyoncé had sold 991,000 copies in the US, making it the best-selling album by a female artist in 2013.[140][141] A third week at number-one with sales of 310,000 copies brought the album's US sales to 1.3 million after 17 days of release,[142] positioning it as the eighth-best-selling album of the year, and the first to enter the year-end top 10 based on just three weeks of sales availability in the Nielsen SoundScan era.[143] In its fourth week, sales reached 1.43 million, surpassing the total sales of Beyoncé's previous album, 4, which was released in 2011 and had sold 1.39 million in total in the two years since its release.[144] Following Beyoncé performing at the 2014 MTV Video Music Awards, sales of the album in the US increased by 181%.[145] The record sold 878,000 copies in the US in 2014 alone, becoming the sixth-best-selling album of the year.[146] As of November 2016, Beyoncé has sold 2.4 million copies in the US[147] and has been certified double platinum by the Recording Industry Association of America (RIAA).[148]

On December 16, Apple Inc. announced that Beyoncé was the fastest selling album in the history of the iTunes Store, both in the United States and worldwide.[137] It sold 828,773 digital copies worldwide in its first three days, and topped the iTunes Store charts in one-hundred-and-four countries.[137] Six days after its release, Beyoncé had sold one million digital copies on iTunes Stores worldwide.[149]Beyoncé debuted at number five on the UK Albums Chart on December 15, with two-day sales of 67,858 digital copies.[150][151] The Official Charts Company's chief executive Martin Talbot noted that 'few (if any) albums have sold as many digital copies in such a short space of time.'[151] In its fifth week, the album climbed to a new peak of number two.[152] It was certified platinum by the British Phonographic Industry (BPI) on February 7, 2014 denoting shipments of 300,000 copies. As of April 2016, Beyoncé has sold 505,000 copies in the United Kingdom.[153] On August 3, 2018, Beyoncé was certified double platinum by the BPI, denoting shipments of 600,000.

The album entered the Canadian Albums Chart at number one, with 35,000 digital copies sold.[154] It debuted at number twenty-four on the French Albums Chart with two-days sales of 12,100 digital copies, and peaked at number thirteen in its fifth week.[155] The album debuted atop the Dutch Albums Chart, giving Beyoncé her first number-one album in the Netherlands.[156] In Australia, Beyoncé entered the ARIA Albums Chart at number two, with first-week sales of 31,102 digital copies.[157] The album topped the chart in its third week, becoming Beyoncé's first number-one album in Australia.[158] It spent three consecutive weeks at number one and was certified platinum by the Australian Recording Industry Association (ARIA) for shipping 70,000 copies.[159] In New Zealand, Beyoncé debuted at number two and was certified gold by Recorded Music NZ (RMNZ) for sales of 7,500 copies;[160] it was later certified platinum.[161] According to the International Federation of the Phonographic Industry (IFPI), within the last nineteen days of 2013, the album sold 2.3 million units worldwide, becoming the tenth-best-selling album of 2013.[162] The album also went on to become the 20th-best-selling album of 2014.[163] As of November 2016, Beyoncé has sold over five million copies worldwide[147][not in citation given]and has generated over a billion streams as of March 2015.[164]

In 2014, Beyoncé was ranked as the second-most popular album of the year on the Billboard 200.[165]

Impact and legacy[edit]

The surprising release of Beyoncé caused 'hilarious, honest and hysterical' reaction among Beyoncé's fans,[166] and 'shock' among other musicians.[167] According to data provided by Twitter, the release generated over 1.2 million tweets in twelve hours.[167]Rolling Stone's Rob Sheffield wrote: 'Beyoncé has delivered countless surprises in her 15 years on top of the music world, but she's never dropped a bombshell like this... The whole project is a celebration of the Beyoncé Philosophy, which basically boils down to the fact that Beyoncé can do anything the hell she wants to.'[38]Peter Robinson of The Guardian hailed the shock release as 'Beyoncégeddon', describing it as a 'major triumph [...] a masterclass in both exerting and relinquishing control.'[100]Forbes' Zack O'Malley Greenburg included Beyoncé on his 'Music Industry Winners 2013' list, noting that the singer 'didn't make use of any of the perks of [being signed to a large record label]—the 'machine' we're told is so necessary. There was no radio promotion, no single, no advance press of any kind'.[168] The marketing strategy of releasing an album with little or no notice was the subject of a case study at Harvard UniversitySchool of Business.[169] The act of releasing a project without prior announcement is commonly referred to as 'pulling a Beyoncé',[170] and has been executed by many artists, including Mariah Carey,[171]Drake,[172]Kanye West,[173]Kendrick Lamar,[174] and Eminem.[175]

After the International Federation of the Phonographic Industry (IFPI) announced Friday as the global record release day, Billboard's Andrew Flanagan thought the album release was among the influencing points in the decision, writing: 'After seven months of semi-public back-and-forth, a conversation instigated in part by Aussie piracy and Beyonce's surprise release in December 2013 has resulted in the global recording industry accepting Friday as the release date for new albums.'[176]Time named Beyoncé as one of the most influential people of 2014 due to the album release, writing: 'Beyoncé doesn't just sit at the table. She builds a better one. Today she sits at the head of the boardroom table at Parkwood Entertainment. In December, she took the world by surprise when she released a new album, complete with videos, and announced it on Facebook and Instagram. Beyoncé shattered music-industry rules – and sales records'.[177]

Australian company Elenberg Fraser won planning approval for a two-hundred-and-twenty-six-metre-high skyscraper in Melbourne that will feature a curvaceous form taken from the music video for 'Ghost'.[178]

Track listing[edit]

Credits adapted from the liner notes of Beyoncé.[12][179]

Beyoncé – Disc one (Audio)[180]
No.TitleWriter(s)Producer(s)Length
1.'Pretty Hurts'
  • Knowles
4:17
2.'Haunted' (contains hidden track 'Ghost')
  • Boots
  • Knowles
6:09
3.'Drunk in Love' (featuring Jay-Z)
  • Knowles
  • Rasool Díaz
  • The Order
  • Knowles
  • Timbaland[b]
  • Harmon[b]
  • Boots[b]
5:23
4.'Blow'
  • Knowles
  • Mosley
  • Harmon
5:09
5.'No Angel'
  • Knowles
  • Fauntleroy
  • Polachek
  • Knowles
  • Patrick Wimberly[a]
  • Fauntleroy[a]
  • Boots[b]
3:48
6.'Partition' (contains hidden track 'Yoncé')
  • Nash
  • Knowles
  • Timberlake
  • Mosley
  • Harmon
  • Timbaland
  • Harmon
  • Timberlake
  • Knowles
  • Dean[b]
  • Boots[b]
5:19
7.'Jealous'
  • Detail
  • The Order
  • Knowles
  • Boots[b]
  • Hit-Boy[b]
  • HazeBanga[b]
  • Proctor[b]
3:04
8.'Rocket'
  • Knowles
  • Timberlake
  • Mosley
  • Harmon
  • Fauntleroy
6:31
9.'Mine' (featuring Drake)
  • Knowles
  • Weir
6:18
10.'XO'
  • Nash
  • Knowles
3:35
11.'Flawless' (featuring Chimamanda Ngozi Adichie; contains hidden track 'Bow Down')
  • Nash
  • Knowles
  • Hit-Boy
  • Knowles
  • Rey Reel Music[a]
  • HazeBanga[a]
  • Boots[b]
4:10
12.'Superpower' (featuring Frank Ocean)
  • Williams
  • Boots[b]
4:36
13.'Heaven'
  • Boots
  • Knowles
3:50
14.'Blue' (featuring Blue Ivy)
  • Boots
  • Knowles
4:26
Total length:66:35
BeyoncéDisc two (Visual)
No.TitleDirector(s)Length
1.'Pretty Hurts'Melina Matsoukas7:04
2.'Ghost'Pierre Debusschere2:31
3.'Haunted'Jonas Åkerlund5:21
4.'Drunk in Love' (featuring Jay-Z)Hype Williams6:21
5.'Blow'H. Williams5:25
6.'No Angel'@lilinternet3:53
7.'Yoncé'Ricky Saiz2:02
8.'Partition'Jake Nava3:49
9.'Jealous'3:26
10.'Rocket'
  • Beyoncé
  • Ed Burke
  • Bill Kirstein
4:30
11.'Mine' (featuring Drake)Debusschere4:59
12.'XO'Terry Richardson3:35
13.'Flawless' (featuring Chimamanda Ngozi Adichie)Nava4:12
14.'Superpower' (featuring Frank Ocean)Åkerlund5:24
15.'Heaven'3:55
16.'Blue' (featuring Blue Ivy)
  • Beyoncé
  • Burke
  • Kirstein
4:35
17.'Credits'2:34
18.'Grown Woman' (bonus video)Nava4:24
Total length:78:00

Notes

  • ^[a] signifies a co-producer
  • ^[b] signifies an additional producer
  • All tracks vocals produced by Beyoncé Knowles
  • 'Haunted' contains two parts – 'Ghost' and 'Haunted'. Though presented as one song on audio, it is split into two separate videos.
  • 'No Angel' is stylized as 'Angel' on the back of CD editions.
  • 'Partition' contains two parts – 'Yoncé' and 'Partition'. Though presented as one song on audio, it is split into two separate videos.
  • 'Flawless' is stylized as '***Flawless'
  • 'Flawless' contains two parts – 'Bow Down' and 'Flawless', which are presented as one song, and one video. 'Bow Down' was initially part of a previously recorded song entitled 'Bow Down/I Been On'.
  • 'Grown Woman' is presented after the credits on DVD while it is presented before the credits in digital format.
  • 'Grown Woman' is written by Mosley, Kelly Sheehan, Knowles, Nash, Chris Godbey, Harmon, Darryl Pearson, and Garland Mosley. It is produced by Timbaland, with co-production by Harmon.

Sample credits

  • 'Partition' contains an interpolation of the French-dubbed version of the 1998 film The Big Lebowski, performed by Hajiba Fahmy.
  • 'Flawless' contains portions of the speech 'We should all be feminists', written and delivered by Chimamanda Ngozi Adichie.
  • 'Heaven' contains portions of 'The Lord's Prayer' in Spanish, performed by Melissa Vargas.

Personnel[edit]

Credits adapted from Beyoncé's official website.[12]

Performers and musicians

  • Beyoncé – lead vocals, background vocals
  • Jay-Z – lead vocals (track 3)
  • Drake – vocals (track 9)
  • Chimamanda Ngozi Adichie – spoken word voices (track 11)
  • Frank Ocean – lead vocals (track 12)
  • Blue Ivy Carter – additional vocals (track 14)
  • Boots – background vocals (tracks 2, 3, 7, 12), piano (track 14), drums (track 14), guitar (track 14), keyboards (track 14)
  • Pharrell Williams – background vocals (track 4)
  • Timbaland – background vocals (track 4)
  • Justin Timberlake – background vocals (tracks 6, 8)
  • Terius 'The Dream' Nash – background vocals (tracks 6, 10), additional piano (track 10)
  • Ryan Tedder – background vocals (track 10)
  • Kelly Rowland – background vocals (track 12)
  • Michelle Williams – background vocals (track 12)
  • Sia – background vocals (track 1)
  • Stefan Skarbek – background vocals (track 12)
  • Kwane Wyatt – additional background vocals (track 2)
  • Hajiba Fahmy – spoken word voices performed by (track 6)
  • Melissa Vargas – 'The Lord's Prayer' reciting (track 13)
  • Katty Rodriguez – horns (track 4)
  • Adison Evans – horns (track 4)
  • Crystal Torres – horns (track 4)
  • Mike Scott – guitar (track 8)
  • Dwayne Wright – bass (track 8)
  • Margot – violin played by, violin arrangement (tracks 12, 14)
  • Steven Wolf – live drums (track 14)

Technical

  • Beyoncé – executive production, music production (tracks 1–8, 10-11, 13-14), vocal production
  • Ammo – music production (track 1)
  • Boots – music production (tracks 2, 13-14), additional production (tracks 3, 5–7, 11-12), recording (tracks 2, 13, 14), instruments (tracks 2, 3, 7, 11, 13), additional arranging (track 11)
  • Noel 'Detail' Fisher – music production (tracks 3, 7)
  • Pharrell Williams – production (tracks 4, 12)
  • Caroline Polachek – music production (track 5), recording (track 5), synths and drum machine (track 5)
  • Timbaland – music production (tracks 6, 8), additional production (track 3), co-production (track 4)
  • Jerome Harmon – music production (track 6), additional production (track 3), co-production (tracks 4, 8)
  • Justin Timberlake – music production (track 6), background vocals (tracks 6, 8)
  • Key Wane – music production (track 6), intro keys and intro music programming (track 9)
  • Noah '40' Shebib – music production (track 9), recording (track 9)
  • Terius 'The Dream' Nash – music production (track 10)
  • Ryan Tedder – music production (track 10), recording (track 10), music programming and other instruments (track 10)
  • Hit-Boy – music production (track 11), additional music production (tracks 7, 10), additional drum machine (track 2)
  • Rey Reel – co-production (track 11)
  • Brian Soko – additional production (track 3)
  • Mike Dean – additional music production (track 6)
  • Andre Proctor – additional music production (track 7)
  • Majid Jordan – additional music production (track 9)
  • Sidney 'Omen' Brown – additional music production (track 9), additional drum machine (track 9)
  • Stuart White – recording (all tracks), mixing (tracks 2, 3, 4, 6, 11, 13), digital editing and musical arrangement (tracks 4, 12), additional mixing (track 5), mix engineering (track 7)
  • Chris Godbey – recording (tracks 4, 6, 8), mixing (track 8)
  • Bart Schoudel – recording (tracks 4, 6)
  • Andrew Coleman – recording (tracks 4, 12), digital editing and musical arrangement (tracks 4, 12)
  • Ann Mincieli – recording (track 6)
  • Noel Cadastre – recording (track 9)
  • Jordan 'DJ Swivel' Young – recording (track 11)
  • James Krausse – recording (track 12), mix engineering (tracks 2, 3, 7, 11, 13), assistant mix engineering (track 4), assistant engineering (track 14), mastering (track 1)
  • Mike Larson – recording (track 12)
  • Elliot Scheiner – Surround sound mix (all tracks)
  • Rob Cohen – recording (track 13)
  • Jonathan Lee – recording (track 14)
  • Ramon Rivas – second engineering (tracks 1, 2, 4–11, 13, 14), assistant engineering (tracks 3, 12)
  • Rob Suchecki – second engineering (tracks 1, 7, 11)
  • Hajiba Fahmy – spoken word voice recording (track 6)
  • Derek Dixie – additional synth sounds (tracks 1, 3, 6), additional SFX (track 1), mix consultation (tracks 2–4, 6, 7, 11), horn arrangements (track 4)
  • Niles Hollowell-Dhar – additional synth sounds (track 6)
  • Tony Maserati – mixing (tracks 2, 3, 6, 7, 11–14)
  • Andrew Scheps – mixing (tracks 5, 10)
  • Noel 'Gadget' Campbell – mixing (track 9)
  • Justin Hergett – mix engineering (tracks 2, 4, 7, 11) assistant mix engineering (tracks 3, 5, 6, 12), assistant engineering (tracks 10, 13, 14)
  • Tyler Scott – assistant mix engineering (track 2), assistant engineering (track 11)
  • Matt Weber – assistant engineering (tracks 4, 6, 8, 12)
  • Jon Castelli – assistant engineering (track 12)
  • Christian Humphreys – assistant engineering (track 13)
  • Paul Pavao – assistant mix engineering (track 4)
  • Edward Valldejuli – assistant mix engineering (track 4)
  • Chris Tabron – mix engineering (track 6), assistant mix engineering (track 12)
  • Matt Wiggers – assistant mix engineering (track 6)
  • Chris Cannon – assistant mix engineering (track 8)
  • Carlos Perezdeanda – second engineering assistant (track 7)
  • Tom Coyne – mastering (tracks 2–14)
  • Aya Merrill – mastering (tracks 2–14)

Charts[edit]

Weekly charts[edit]

Chart (2013–16)Peak
position
Australian Albums (ARIA)[181]1
Australian Urban Albums (ARIA)[182]1
Austrian Albums (Ö3 Austria)[183]12
Belgian Albums (Ultratop Flanders)[184]4
Belgian Albums (Ultratop Wallonia)[185]9
Brazilian Albums (Billboard)[186]3
Canadian Albums (Billboard)[187]1
Chinese Albums (Sino)[188]7
Croatian Albums (HDU)[189]1
Cypriot Albums (IFPI)[190]2
Czech Albums (ČNS IFPI)[191]5
Danish Albums (Hitlisten)[192]2
Dutch Albums (Album Top 100)[193]1
Finnish Albums (Suomen virallinen lista)[194]5
French Albums (SNEP)[195]13
German Albums (Offizielle Top 100)[196]11
Greek Albums (IFPI)[197]12
Hungarian Albums (MAHASZ)[198]26
Irish Albums (IRMA)[199]2
Italian Albums (FIMI)[200]14
Japanese Albums (Oricon)[201]11
Mexican Albums (Top 100 Mexico)[202]30
New Zealand Albums (RMNZ)[203]2
Norwegian Albums (VG-lista)[204]2
Polish Albums (ZPAV)[205]1
Portuguese Albums (AFP)[206]3
Scottish Albums (OCC)[207]2
Slovenian Albums (Slo Top 30)[208]5
South African Albums (RiSA)[209]3
South Korean Albums (Gaon)[210]9
South Korean International Albums (Gaon)[211]2
Spanish Albums (PROMUSICAE)[212]8
Swedish Albums (Sverigetopplistan)[213]27
Swiss Albums (Schweizer Hitparade)[214]4
Taiwanese International Albums (G-Music)[215]2
UK Albums (OCC)[216]2
UK R&B Albums (OCC)[217]1
US Billboard 200[218]1
US Top R&B/Hip-Hop Albums (Billboard)[219]1

Year-end charts[edit]

Chart (2013)Position
Australian Albums (ARIA)[220]23
Australian Urban Albums (ARIA)[221]3
Belgian Albums (Ultratop Flanders)[222]180
Brazilian Albums (ABPD)[223]7
Danish Albums (Hitlisten)[224]38
Dutch Albums (MegaCharts)[225]39
French Albums (SNEP)[226]119
New Zealand Albums (RMNZ)[227]28
South Korean International Albums (Gaon)[228]29
UK Albums (OCC)[229]41
Worldwide[230]10
Chart (2014)Position
Australian Albums (ARIA)[231]27
Australian Urban Albums (ARIA)[232]3
Belgian Albums (Ultratop Flanders)[233]17
Belgian Albums (Ultratop Wallonia)[234]41
Brazilian Albums (ABPD)[235]11
Canadian Albums (Billboard)[236]7
Danish Albums (Hitlisten)[237]78
Dutch Albums (MegaCharts)[238]15
French Albums (SNEP)[239]93
Italian Albums (FIMI)[240]93
New Zealand Albums (RMNZ)[241]12
Polish Albums (ZPAV)[242]49
Swiss Albums (Schweizer Hitparade)[243]29
Taiwanese Albums (Five Music)[244]17
UK Albums (OCC)[245]24
US Billboard 200[246]2
US Digital Albums (Billboard)[247]2
US Top R&B/Hip-Hop Albums (Billboard)[248]1
Chart (2015)Position
Australian Urban Albums (ARIA)[249]15
Belgian Albums (Ultratop Flanders)[250]184
Danish Albums (Hitlisten)[251]64
US Billboard 200[252]57
US Top R&B/Hip-Hop Albums (Billboard)[253]24
Chart (2016)Position
Australian Urban Albums (ARIA)[254]36
Danish Albums (Hitlisten)[255]93
Dutch Albums (MegaCharts)[256]73
Polish Albums (ZPAV)[257]69
Polish International Albums (ZPAV)[257]20
US Billboard 200[258]97
Chart (2017)Position
Australian Urban Albums (ARIA)[259]51
US Billboard 200[260]197
US R&B Albums (Billboard)[261]21

All-time charts[edit]

ChartPosition
US Female Albums (Billboard)[262]97

Beyonce Self Titled Album Download Video

Certifications[edit]

RegionCertificationCertified units/Sales
Australia (ARIA)[159]Platinum70,000^
Brazil (Pro-Música Brasil)[263]2× Platinum80,000*
Canada (Music Canada)[264]Platinum80,000^
Denmark (IFPI Denmark)[265]Platinum20,000^
France (SNEP)[267]Gold100,000[266]
Ireland (IRMA)[268]Gold7,500^
Italy (FIMI)[269]Gold30,000*
New Zealand (RMNZ)[161]Platinum15,000^
Poland (ZPAV)[270]Platinum20,000*
South Korea3,333[271]
Spain (PROMUSICAE)[272]Gold20,000^
Switzerland (IFPI Switzerland)[273]Gold10,000^
United Kingdom (BPI)[274]2× Platinum600,000^
United States (RIAA)[275]2× Platinum2,300,000[147]
Summaries
Worldwide5,000,000[153]

^shipments figures based on certification alone
sales+streaming figures based on certification alone

Release history[edit]

List of release dates, showing region, edition(s), format(s), label(s) and reference(s).
RegionDateEdition(s)Format(s)Label(s)Ref.
VariousDecember 13, 2013StandardDigital download[18][276]
AustraliaDecember 20, 2013CD+DVDSony Music[277]
France[155]
New Zealand[278]
Poland
  • Eco
  • standard
[279]
United KingdomStandardRCA[280]
United States[281][282]
MexicoDecember 26, 2013Sony Music[283]
TurkeyJanuary 3, 2014[284]
PortugalJanuary 13, 2014[285]
JapanFebruary 12, 2014[286]
New ZealandMarch 21, 2014CD+Blu-ray[287]
United StatesJuly 15, 2014LP+DVD
  • Parkwood
  • Columbia
[288]
BelgiumNovember 24, 2014AudioCDSony Music[289]
PolandNovember 25, 2014[290]
JapanDecember 24, 2014[291]

See also[edit]

Notes[edit]

  1. ^Although the original announcement for Revel Presents: Beyoncé Live was of three nights (May 25—27),[5] a fourth night (May 28) was added due to demand.[6]
  2. ^'Bow Down/I Been On' does not feature on Beyoncé, only its first part—'Bow Down'—exists as part of the track 'Flawless'.[10]
  3. ^Using pitched-down vocals (often known as screwed vocals) is a signature of Southern hip hop, specifically the Houston hip hop scene where it originates. Joseph Patel of MTV wrote about its creator DJ Screw and how 'members of his south Houston crew, the Screwed Up Click, say that Screw was playing around with his turntables in 1991 and serendipitously discovered that dramatically reducing the pitch of a record yielded a mellow, heavy sound that resonated with the slowed-down pace of H-Town.'[14]
  4. ^'Haunted' is a two-part song which is sometimes known as 'Ghost/Haunted'. The audio disc combines both parts and refers to it collectively as 'Haunted', while the visual disc recognizes them as different videos.[12]
  5. ^Although 'Standing on the Sun' and 'Grown Woman' were removed from the audio track listing, 'Grown Woman' was added as a bonus video on the DVD.[12]
  6. ^Chris DeVille, writing in Stereogum five months after Beyoncé's release argues that alternative R&B reached its saturation point in early 2014. He identifies Beyoncé as an artist whose recent output experimented with alternative sounds within the R&B genre, thus making her music more accessible to typical fans of underground music despite her being one of 'R&B's foremost superstars'.[34]
  7. ^The highly-publicized incident—sometimes dubbed 'Kanyegate'—refers to West's interruption of Taylor Swift during her acceptance speech for the Best Female Video award at the 2009 MTV Awards. West took the microphone from Swift in protest of Beyoncé's 'Single Ladies (Put a Ring on It)' (2008) not winning, declaring it 'one of the best videos of all time'.[123]

References[edit]

  1. ^'Beyoncé review: Beyonce's new album is an unashamed celebration of very physical virtues'. The Independent. Retrieved May 2, 2018.
  2. ^Loughrey, Clarisse (November 26, 2015). 'Adele's new album 25 is No.1 on iTunes in almost every country in the world'. Independent. Retrieved August 7, 2016.
  3. ^'Digital-Music-Report-2014.pdf'(PDF). International Federation of the Phonographic Industry. p. 12. Retrieved June 26, 2014.
  4. ^Bernstein, Nina (January 9, 2012). 'After Beyoncé Gives Birth, Patients Protest Celebrity Security at Lenox Hill Hospital'. The New York Times. Retrieved July 6, 2014.
  5. ^ abMcKinley Jr., James C. (March 19, 2012). 'Beyoncé to Resume Performing in May'. The New York Times. Retrieved July 12, 2014.
  6. ^Bryson Taylor, Derrick (May 7, 2012). 'Beyoncé Adds Fourth Memorial Weekend Comeback Show'. Essence. Retrieved July 12, 2014.
  7. ^Ratliff, Ben (May 26, 2012). 'Beyoncé: Coming Back and Catching Up, Then Conquering'. The New York Times. Retrieved July 13, 2014.
  8. ^ abcdefGay, Jason (February 11, 2013). 'Beyoncé Knowles: The Queen B'. Vogue. Archived from the original on December 14, 2013. Retrieved December 14, 2013.
  9. ^ abCragg, Michael (April 8, 2013). 'The secret diary of a disappointed Beyoncé fan'. The Guardian. Retrieved July 5, 2014.
  10. ^ abcdefKornhaber, Spencer (June 26, 2014). 'Beyoncé's 'Flawless': The Full Story'. The Atlantic. Retrieved July 5, 2014.
  11. ^ abcdCragg, Michael (March 18, 2013). 'New music: Beyoncé – Bow Down/I Been On'. The Guardian. Retrieved March 16, 2014.
  12. ^ abcdefghij'Beyoncé Album Credits'. Parkwood Entertainment. Retrieved June 28, 2014.
  13. ^ abcdZoladz, Lindsay (March 18, 2014). 'Beyoncé: 'Bow Down/I Been On''. Pitchfork. Retrieved July 6, 2014.
  14. ^Patel, Joseph. 'Chopped & Screwed: A History'. MTV. Archived from the original on December 3, 2013. Retrieved July 24, 2014.
  15. ^Tate, Amethyst (April 12, 2014). 'Beyoncé Explains 'Bow Down': 'It Was The Beyoncé That Was Angry''. International Business Times. Retrieved December 19, 2013.
  16. ^ abMontgomery, James (July 26, 2013). 'What's Going on With Beyoncé's Album?'. MTV. Retrieved July 6, 2014.
  17. ^Makarechi, Kia (July 24, 2013). 'Beyonce's Album Delays Are Nothing But Rumors, Singer's Rep Says'. The Huffington Post. Retrieved July 24, 2013.
  18. ^ abc'BEYONCÉ Available Worldwide Now' (Press release). Parkwood Entertainment, Columbia Records. PR Newswire. December 13, 2013. Archived from the original on November 25, 2014. Retrieved December 13, 2013.
  19. ^ abcdefHeinzerling, Zachary (Director) (December 30, 2013). 'Self Titled' Part 4. Liberation (Short film, documentary). Retrieved March 26, 2014.
  20. ^ abcGreene, Jason (January 21, 2014). 'Beyoncé's Muse'. Pitchfork. Retrieved March 17, 2014.
  21. ^ abcdefgMistry, Anupa (December 16, 2013). 'Beyonce Outdoes Herself (and Everyone Else) With the Humanizing, Superhuman 'Beyonce''. Spin. Retrieved December 16, 2013.
  22. ^ abcdefghijKot, Greg (December 14, 2014). ''Beyonce' album review: More than the delivery is a surprise'. Chicago Tribune. Retrieved July 11, 2014.
  23. ^ abcdefghiHampp, Andrew; Ramirez, Erika (December 13, 2013). 'Beyonce, Beyonce: Track-By-Track Review'. Billboard. Retrieved December 13, 2013.
  24. ^ abcHeinzerling, Zachary (Director) (December 17, 2013). 'Self Titled' Part 2. Imperfection (Short film, documentary). Retrieved January 1, 2014.
  25. ^'Who Is Yoncé? Beyonce Explains The Birth of Her New Alter Ego [VIDEO]'. Chicago Defender. December 23, 2013. Archived from the original on February 2, 2014. Retrieved March 27, 2014.
  26. ^ abHicklin, Alan (April 4, 2014). 'Beyoncé Liberated'. Out. Retrieved April 12, 2014.
  27. ^ abcdHampp, Andrew (December 13, 2013). 'How Beyonce's 'Beyonce' Stayed Secret Until the Day of Release, Its First Singles'. Billboard. Retrieved December 14, 2013.
  28. ^ abHeinzerling, Zachary (Director) (December 25, 2013). 'Self Titled' Part 3. Run 'N Gun (Short film, documentary). Retrieved January 1, 2014.
  29. ^ abcDobbins, Amanda (December 18, 2013). 'Beyoncé's Creative Director Todd Tourso on Her New Album and Keeping Secrets'. Vulture. Retrieved December 23, 2013.
  30. ^ abHeinzerling, Zachary (Director) (December 13, 2013). 'Self Titled' Part 1. The Visual Album (Short film, documentary). Retrieved March 26, 2014.
  31. ^Hill, Nick (December 22, 2013). 'Beyoncé Talks Personal New Album And Secretive Video Shoots'. Contact Music. Retrieved December 22, 2013.
  32. ^ abcdefKelly, Chris (December 17, 2013). 'Beyoncé'. Fact. Retrieved October 25, 2016.
  33. ^ abcdBattan, Carrie (January 6, 2013). 'Beyoncé: Beyoncé'. Pitchfork. Retrieved March 17, 2014.
  34. ^DeVille, Chris (April 30, 2014). 'Indie Rock's R&B Movement Reaches Its Saturation Point'. Stereogum. Retrieved July 11, 2014.
  35. ^ abcdMackay, Emily (December 16, 2013). 'Beyonce – 'Beyonce''. NME. Archived from the original on March 23, 2016. Retrieved December 17, 2013.
  36. ^Gill, Andy (December 13, 2013). 'Beyoncé review: Beyonce's new album is an unashamed celebration of very physical virtues'. The Independent. Retrieved December 14, 2013.
  37. ^ abcdefghijklmPareles, Jon (December 13, 2013). 'A December Surprise, Without Whispers (or Leaks)'. The New York Times. Retrieved December 13, 2013.
  38. ^ abcdefgSheffield, Rob (December 14, 2013). 'Beyoncé'. Rolling Stone. Retrieved December 14, 2013.
  39. ^ abcdefghMcCormick, Neil (December 13, 2013). 'Beyoncé, album review: 'the most X-rated pop album since Madonna's Erotica''. The Daily Telegraph. London. Retrieved December 13, 2013.
  40. ^ abRytlewski, Evan (December 16, 2013). 'Beyoncé's surprise album is her most substantial and also her most human'. The A.V. Club. Retrieved August 2, 2014.
  41. ^ abcdefgCatucci, Nick (December 13, 2013). 'Beyoncé'. Entertainment Weekly. Retrieved December 13, 2013.
  42. ^ abcdEmpire, Kitty (December 13, 2013). 'Beyoncé: Beyoncé – review'. The Observer. Retrieved December 13, 2013.
  43. ^ abHeinzerling, Zachary (Director) (January 3, 2014). 'Self Titled' Part 5. Honesty (Short film, documentary). Retrieved July 12, 2014.
  44. ^Lynch, Joe (December 13, 2013). 'Beyonce's Surprise Album: A Track-by-Track Breakdown'. Fuse. Retrieved December 18, 2013.
  45. ^'Beyoncé – Drunk in Love'. DJ Booth. December 17, 2013. Retrieved December 21, 2013.
  46. ^Rosen, Jody (December 16, 2013). 'Jody Rosen on Beyoncé: Close to a Masterpiece'. Vulture. Retrieved June 9, 2014.
  47. ^Sherburne, Philip (December 13, 2013). 'Beyonce's 'Beyonce': Our Impulsive Reviews'. Spin. Retrieved June 9, 2014.
  48. ^ abcWood, Mikael (December 14, 2013). 'Album review: 'Beyonce' is full of surprises'. Los Angeles Times. Retrieved December 14, 2013.
  49. ^ abcdWhite, Caitlin (January 7, 2014). 'Beyoncé – Beyoncé'. The 405. Retrieved May 30, 2016.
  50. ^Gimmers, Mof (December 14, 2013). 'Reviews: Beyoncé, Beyoncé'. The Quietus. Retrieved October 25, 2016.
  51. ^ abMcDonald, Soraya (December 28, 2013). 'Finally free of Sasha Fierce, Beyoncé is a 'Grown Woman''. The Washington Post. Retrieved July 11, 2014.
  52. ^ abDiver, Mike (January 9, 2014). 'Beyoncé – Beyoncé'. Clash. Retrieved May 31, 2016.
  53. ^Phull, Hardeep (December 13, 2013). 'Beyonce's sexy new album: Track by track'. New York Post. Retrieved December 29, 2013.
  54. ^Halliday, Josh (January 1, 2014). 'Nasa criticises Beyoncé over Challenger sample'. The Guardian. Retrieved January 1, 2014.
  55. ^Zoladz, Lindsay (December 17, 2013). 'Beyoncé: 'XO''. Pitchfork. Retrieved December 18, 2013.
  56. ^Lynch, Joe (December 13, 2013). 'Beyonce's Surprise Album: A Track-by-Track Breakdown'. Fuse. The Madison Square Garden Company. Retrieved December 18, 2013.
  57. ^Jason Lipshutz; Andrew Hampp (December 11, 2013). 'Beyonce Unexpectedly Releases New Self-Titled 'Visual Album' on iTunes'. Billboard. Retrieved December 11, 2013.
  58. ^ abFlanagan, Andrew (September 30, 2014). 'Exclusive: The Harvard Business School Report on Beyonce'. Billboard. Retrieved April 16, 2017.
  59. ^'An Exclusive Q&A With Columbia Chairman Rob Stringer'. Hits Daily Double. December 9, 2013. Retrieved March 26, 2014.
  60. ^Alexander, Ella (December 13, 2013). 'Beyoncé Makes Music History'. Vogue. Retrieved December 13, 2013.
  61. ^'Beyonce puts surprise album on iTunes'. BBC News. December 13, 2013. Retrieved December 13, 2013.
  62. ^ abChristman, Ed (December 20, 2013). 'Amazon Not Stocking New Beyonce CD Following iTunes Exclusive'. Billboard. Retrieved December 21, 2013.
  63. ^Caulfield, Keith (December 16, 2013). 'Target not selling Beyonce's new album'. Billboard. Retrieved December 21, 2013.
  64. ^'Beyoncé screens visual album in New York'. Rap-Up. December 21, 2013. Retrieved December 22, 2013.
  65. ^Coleman, Miriam (December 14, 2013). 'Beyonce Gives 'XO' Its Live Debut'. Rolling Stone. Retrieved December 18, 2013.
  66. ^Vardon, Elena (December 17, 2013). 'Concert Review: Beyoncé sizzled yet again with all her personas in a triumphant Toronto return'. National Post. Archived from the original on December 18, 2013. Retrieved December 18, 2013.
  67. ^Argyropulo-Palmer, Caroline (January 26, 2014). 'Mr and Mrs Carter open the Grammys'. The Times. Retrieved January 26, 2014.
  68. ^'Brit Awards 2014: David Bowie wins best British male award'. BBC News. BBC. February 19, 2014. Retrieved June 18, 2014.
  69. ^Blake, Emily (February 19, 2014). 'Watch Beyonce Silence The Brit Awards For First Performance Of 'XO''. MTV News. MTV Networks. Retrieved June 18, 2014.
  70. ^Hogan, Michael (February 19, 2014). 'Brit Awards 2014: Live'. The Daily Telegraph. Retrieved June 30, 2014.
  71. ^Bourne, Dianne (February 25, 2014). 'Review: Beyonce @ Phones 4u Arena'. Manchester Evening News. Retrieved March 17, 2014.
  72. ^Gauthier, Robert (June 14, 2014). 'LAFF 2014: 'Beyoncé' visual album comes to life at screening'. Los Angeles Times. Retrieved June 16, 2014.
  73. ^ ab'Jay Z and Beyoncé unveil mock-film trailer for Run tour'. The Guardian. May 19, 2014. Retrieved May 30, 2014.
  74. ^'Jay Z and Beyoncé extend 'On The Run' tour to Europe'. NME. June 13, 2014. Retrieved July 12, 2014.
  75. ^Bobb, Maurice (June 30, 2014). 'Jay Z Drops A 'Partition' Verse While Beyonce Does A Pole Dance at 2014 BET Awards'. MTV. Retrieved July 13, 2014.
  76. ^ abHalperin, Shirley (August 25, 2014). 'How Beyonce & Jay Z's Triumphant VMA-Ending Moment Came to Be'. Billboard. Retrieved August 26, 2014.
  77. ^'Beyonce' XO – Radio Date – Italy'. Sony. Archived from the original on December 19, 2013. Retrieved December 17, 2013.
  78. ^'Hot/Modern/AC Future Releases'. All Access Music Group. Archived from the original on December 17, 2013.
  79. ^'Urban/UAC Future Releases'. All Access Music Group. Archived from the original on December 17, 2013. Retrieved December 17, 2013.
  80. ^'Top 40 Rhythmic Future Releases'. All Access Music Group. Archived from the original on December 17, 2013. Retrieved December 17, 2013.
  81. ^'Top 40/M Future Releases'. All Access Music Group. Archived from the original on December 17, 2013. Retrieved December 17, 2013.
  82. ^ ab'Beyoncé – Hot 100 chart history'. Billboard. Retrieved May 6, 2014.
  83. ^'Beyonce's 618K Coup'. Hits Daily Double. Retrieved December 17, 2013.
  84. ^Trust, Gary (February 5, 2014). 'Katy Perry Tops Hot 100, Beyonce Bounds to No. 2'. Billboard. Retrieved February 5, 2014.
  85. ^'Beyoncé feat. Jay-Z – Drunk in Love'. australian-charts.com. Hung Medien. Retrieved May 6, 2014.
  86. ^'Archive Chart'. Official Charts Company. February 8, 2014. Retrieved February 5, 2014.
  87. ^'American single certifications – Beyoncé'. Recording Industry Association of America. Archived from the original on February 14, 2014. Retrieved May 6, 2014.
  88. ^'Urban/UAC Future Releases'. All Access Music Group. Archived from the original on February 24, 2014.
  89. ^Trust, Gary (May 5, 2014). 'Chart Highlights: Beyonce Scores 20th Dance Club Songs No. 1 With 'Partition''. Billboard. Retrieved May 6, 2014.
  90. ^'Beyoncé Exclusive: Watch the Official Video for 'Pretty Hurts''. Time. April 24, 2014. Retrieved April 24, 2014.
  91. ^'Available For Airplay'. FMQB. Archived from the original on June 6, 2014.
  92. ^Lane, Daniel (June 23, 2014). 'This Week's New Releases 23-06-2014'. Official Charts Company. Archived from the original on June 26, 2014. Retrieved June 25, 2014.
  93. ^'Beyonce by Beyonce reviews'. AnyDecentMusic?. Retrieved December 15, 2016.
  94. ^ ab'Reviews for Beyoncé by Beyoncé'. Metacritic. Retrieved December 13, 2013.
  95. ^ abKellman, Andy (December 17, 2013). 'Beyoncé – Beyoncé'. AllMusic. Retrieved December 23, 2013.
  96. ^Cragg, Michael (December 13, 2013). 'Beyoncé: Beyoncé – first look review'. The Guardian. London. Retrieved September 30, 2015.
  97. ^Hodgkinson, Will (December 14, 2013). 'First review of Beyoncé video album'. The Times. London. Retrieved September 25, 2016.
  98. ^Christgau, Robert (January 2, 2015). 'Beyoncé/D'Angelo'. Medium. Retrieved October 25, 2016.
  99. ^Amidon, David (January 9, 2014). 'Beyoncé – Beyoncé'. PopMatters. Retrieved July 28, 2014.
  100. ^ abRobinson, Peter (January 1, 2014). 'Beyoncé has reinvented how to release an album. Over to you, Adele'. The Guardian. Retrieved January 2, 2014.
  101. ^Wete, Brad (December 19, 2013). '15 Best Albums of 2013: Critics' Picks'. Billboard. Retrieved December 19, 2013.
  102. ^Guerra, Joey (December 24, 2013). 'Beyoncé dominates on best album of the year list'. Houston Chronicle. Retrieved December 30, 2013.
  103. ^Lewis, Randy (December 30, 2013). 'Beyoncé and Kanye West lead Times top albums of 2013 list'. Los Angeles Times. Retrieved December 30, 2013.
  104. ^Shepherd, Julianne (December 17, 2013). 'SPIN's 20 Best R&B Albums of 2013'. Spin. Retrieved December 30, 2013.
  105. ^'Billboard's Top 20 Best Albums of the 2010s (So Far)'. Retrieved 13 January 2015.
  106. ^Fekadu, Mesfin; Talbot, Chris (December 16, 2013). 'AP Writers' Top 10 2013 Albums Include Beyoncé, Kanye West'. Associated Press viaThe Huffington Post. Archived from the original on December 20, 2013. Retrieved December 19, 2013.
  107. ^Newman, Melinda (December 27, 2013). 'Top 10 Albums of 2013: From Beyoncé to Bowie'. HitFix. Retrieved December 30, 2013.
  108. ^Montgomery, James (December 17, 2013). 'Best Albums of 2013: Does Beyoncé Bow Down To Yeezus?'. MTV. Retrieved December 19, 2013.
  109. ^'CLUB FONOGRAMA'S BEST ALBUMS OF 2013 – OUTSIDERS'. Club Fonograma. December 28, 2013. Archived from the original on 2016-10-27. Retrieved October 26, 2016.
  110. ^Copsey, Robert (December 17, 2013). 'Digital Spy's top albums of 2013 (15–1)'. Digital Spy. Retrieved December 17, 2013.
  111. ^Dietz, Jason (December 19, 2013). 'Best Albums of 2013'. Metacritic. Retrieved December 19, 2013.
  112. ^'The Village Voice's 41st Pazz & Jop Music Critics Poll: The Last Word on the Year in Music'. The Village Voice. Retrieved June 18, 2014.
  113. ^Christgau, Robert (January 24, 2014). 'The 2013 Dean's List'. The Barnes & Noble Review. Retrieved January 28, 2014.
  114. ^Dietz, Jason (December 2, 2014). 'Best of 2014: Music Critic Top Ten Lists'. Metacritic. Retrieved December 24, 2014.
  115. ^'The 50 Albums of 2014'. Consequence of Sound. Retrieved October 26, 2016.
  116. ^'Favorite 50 Music Releases of 2014'. Tiny Mix Tapes. Retrieved October 26, 2016.
  117. ^'The 100 Best Albums of the Decade So Far 2010–2014'. Pitchfork. Retrieved October 26, 2016.
  118. ^'The 100 Best Albums of the Decade So Far 2010–2014'. FACT. Retrieved October 26, 2016.
  119. ^'The 300 Best Albums of the Past 30 Years'. Spin. Retrieved October 26, 2016.
  120. ^'Q Magazine – The Greatest Albums of the Last 30 Years… 476 Modern Classics'. Q. Retrieved October 26, 2016.
  121. ^'The '1001 Albums You Must Hear Before You Die' 2016 Edition is Here!'. 1001 Albums You Must Hear Before You Die. Retrieved October 27, 2016.
  122. ^'Final Nominations List – 57th Grammy Awards'(PDF). National Academy of Recording Arts and Sciences, Inc. Retrieved December 6, 2014.
  123. ^Crosley, Hillary (September 14, 2009). 'Kanye West Apologizes To Taylor Swift For VMA Rant'. MTV News. Viacom. Retrieved May 16, 2011.
  124. ^Warner, Denise (February 8, 2015). 'Grammys 2015: Kanye Almost Protests Beck's Album of the Year Win'. Retrieved October 9, 2016.
  125. ^Kaufman, Gil (February 9, 2015). 'Kanye West Let Album of the Year Winner Finish, But Then He Went Off on Him'. MTV. Retrieved October 9, 2016.
  126. ^Stedman, Alex (February 26, 2015). 'Kanye West Apologizes to Beck for Grammys Outburst'. Variety. Retrieved October 9, 2016.
  127. ^Varandani, Suman (August 25, 2014). 'MTV VMA 2014 Complete Winners List: Beyonce Wins Big And Other Memorable Moments'. International Business Times. Retrieved August 26, 2014.
  128. ^'Nominations for World's Best Album'. World Music Awards. Archived from the original on June 6, 2014.
  129. ^'Best Album of the Year'. MTV Japan. Archived from the original on April 3, 2014.
  130. ^'Justin Timberlake, Eminem & Beyoncé Among Billboard Music Awards Finalists'. Rap-Up. April 9, 2014. Retrieved April 9, 2014.
  131. ^'Lil Wayne Makes Surprise Appearance, Drake Wins Big at mtvU Woodie Awards'. MTV News. March 13, 2014. Retrieved September 7, 2014.
  132. ^Strecker, Erin (October 13, 2014). 'Chris Brown & Beyonce Lead Soul Train Award Nominations'. Billboard. Retrieved October 15, 2014.
  133. ^'2014 American Music Awards Nominations Announced'. American Music Award. October 13, 2014. Retrieved October 15, 2014.
  134. ^Petroluongo, Silvio (December 13, 2013). 'Beyoncé's Surprise Album Trending Towards No. 1 on Billboard 200'. Billboard. Retrieved December 14, 2013.
  135. ^ abPetroluongo, Silvio (December 14, 2013). 'Beyonce Bound for No. 1 As Sales Soar Past 400,000'. Billboard. Retrieved December 14, 2013.
  136. ^Caulfield, Kieth (December 15, 2013). ''Beyonce' Sales Grow to 550k-Plus, Set for No. 1'. Billboard. Retrieved December 16, 2013.
  137. ^ abcRamsay, Jennifer. 'BEYONCÉ Shatters iTunes Store Records With 828,773 Albums Sold in Just Three Days'. Apple. Retrieved December 16, 2013.
  138. ^ abcdCaulfield, Keith (December 17, 2013). 'It's Official: Beyoncé Makes History With Fifth No. 1 Album'. Billboard. Retrieved December 17, 2013.
  139. ^'Beyonce Leads for Third Week at No. 1 on Billboard 200 Chart'. Billboard. Retrieved 12 May 2016.
  140. ^ abCaulfield, Keith (December 26, 2013). 'Beyoncé Spends Second Week at No. 1 on Billboard 200 Chart'. Billboard. Retrieved December 26, 2013.
  141. ^Grein, Paul (December 27, 2013). 'Chart Watch: Beyoncé Takes Female Record'. Yahoo! Music. Retrieved December 28, 2013.
  142. ^Caulfield, Keith (January 2, 2014). 'Beyoncé Leads for Third Week at No. 1 on Billboard 200 Chart'. Billboard. Retrieved January 2, 2014.
  143. ^Grein, Paul (January 2, 2014). 'The Top 10 Albums and Songs of 2013'. Yahoo! Music. Retrieved January 2, 2014.
  144. ^Caulfield, Keith (January 8, 2014). ''Frozen' Soundtrack Storms to Top of Billboard 200'. Billboard. Retrieved January 9, 2014.
  145. ^Caulfield, Keith (September 3, 2014). 'VMA-Related Music Sales Up 41%, 'Beyonce' Rises By 181%'. Billboard. Retrieved September 4, 2014.
  146. ^Claufield, Keith (December 31, 2014). 'Taylor Swift's '1989' Beats 'Frozen' As Top Selling Album of 2014'. Billboard. Retrieved January 1, 2015.
  147. ^ abcCaulfield, Keith (December 30, 2015). 'Beyoncé's 'Dangerously in Love' Surpasses 5 Million Sold in U.S.'Billboard. Retrieved December 30, 2015.
  148. ^'Gold & Platinum Searchable Database – Beyoncé albums'. Recording Industry Association of America. Archived from the original on February 25, 2013. Retrieved April 5, 2011.
  149. ^Makarechi, Kia (December 18, 2013). 'Beyoncé's Album Sales Cross 1 Million in iTunes'. The Huffington Post. Retrieved December 18, 2013.
  150. ^Jones, Alan (December 16, 2013). 'Official Charts Analysis: Lily Allen track returns to No.1 on 47k sales'. Music Week. Retrieved December 22, 2013.
  151. ^ abLane, Daniel (December 15, 2013). 'Beyoncé gatecrashes Top 5 after just 48 hours on sale!'. Official Charts Company. Retrieved December 15, 2013.
  152. ^Rigby, Sam (January 12, 2014). 'Ellie Goulding keeps UK album No.1 with 'Halcyon''. Digital Spy. Retrieved January 13, 2014.
  153. ^ abCopsey, Rob (November 24, 2014). 'Beyonce's surprise album 1 year on: 10 amazing #ChartFacts'. Official Charts Company. Archived from the original on November 24, 2014. Retrieved November 24, 2014.
  154. ^Cross, Alan (December 18, 2013). 'Weekly Music Sales Report: 18 December 2013'. A Journal of Musical Things. Retrieved December 19, 2013.
  155. ^ abHamard, Jonathan (December 17, 2013). 'Beyoncé : les chiffres des ventes françaises de son nouvel album' (in French). Charts in France. Retrieved December 17, 2013.
  156. ^'Beyoncé – Beyoncé'. dutchcharts.nl. Hung Medien. Retrieved December 21, 2013.
  157. ^Cashmere, Paul (December 23, 2013). 'Michael Buble Sales Beat Pink and Beyoncé'. noise11.com. Noise Network. Retrieved December 23, 2013.
  158. ^Fitzsimons, Scott (January 4, 2014). 'BEYONCÉ BOUNCES TO FIRST AUSTRALIAN #1'. The Music AU. Retrieved January 4, 2014.
  159. ^ ab'ARIA Charts – Accreditations – 2014 Albums'. Australian Recording Industry Association.
  160. ^'NZ Top 40 Albums Chart'. Official New Zealand Music Chart. Recorded Music NZ. December 23, 2013. Retrieved July 10, 2014.
  161. ^ ab'New Zealand album certifications – Beyonce – Beyonce'. Recorded Music NZ.
  162. ^'Music subscription revenues help drive growth in most major markets'. International Federation of the Phonographic Industry. March 18, 2014. Retrieved March 18, 2014.
  163. ^'IFPI publishes Recording Industry in Numbers – an essential guide to the global music market'. International Federation of the Phonographic Industry. April 20, 2015. Retrieved April 20, 2015.
  164. ^Copsey, Rob (March 6, 2015). 'Beyonce revealed as most-streamed female artist by women'. Official Charts Company. Retrieved March 6, 2015.
  165. ^'Top Billboard 200 Albums – Year-End 2014'. Billboard. Retrieved December 12, 2014.
  166. ^Cills, Hazel (December 13, 2013). ''Beyonce' Made the Internet Explode Today'. Rolling Stone. Retrieved December 14, 2013.
  167. ^ abLipshutz, Jason (December 13, 2013). 'Beyonce's Surprise Album: 20 Tweets From Mind-Blown Musicians'. Billboard. Retrieved December 14, 2013.
  168. ^Greenburg, Zack (December 30, 2013). 'Music Industry Winners 2013: Beyonce, Streaming, Rap DJs'. Forbes. Retrieved December 31, 2013.
  169. ^'The Curious Case of 'Beyoncé' the Album – News – Harvard Business School'. www.hbs.edu. Retrieved 2017-01-27.
  170. ^'From 'Pulling a Beyonce' to 'On Fleek,' Slang Terms That Invaded 2014 | Billboard'. Billboard.
  171. ^'Mariah Carey's Billboard Cover: 5 Things We Learned | Billboard'. Billboard.
  172. ^'Drake Pulls a Beyoncé, Drops Surprise Album If You're Reading This It's Too Late on iTunes | E! News'. E!.
  173. ^'Kanye West album release date: Rapper pulling a Beyonce and dropping Swish as a surprise?'. International Business Times.
  174. ^'Pulling a Beyonce: What the 'surprise release' says about Modern Marketing'. Medium.
  175. ^'Eminem Kamikaze surprise album drops on streaming services | Metro News'. Metro.
  176. ^'Industry Sets Friday as Global Record Release Day'. Billboard. Retrieved 2017-01-27.
  177. ^TIME. 'Beyoncé'. Time. Retrieved 2017-01-27.
  178. ^'Beyoncé-inspired skyscraper to be built in Melbourne'. Dezeen. 2015-07-06. Retrieved 2017-01-29.
  179. ^Beyoncé (Media notes). Beyoncé. Columbia Records. 2013.CS1 maint: others (link)
  180. ^'Beyoncé by Beyoncé: Amazon.co.uk: Music'. Amazon. Retrieved November 21, 2014.
  181. ^'Beyoncé – Beyoncé'. australian-charts.com. Hung Medien. Retrieved January 14, 2014.
  182. ^'ARIA Australian Top 40 Urban Albums Chart'. Australian Recording Industry Association. December 23, 2013. Archived from the original on May 11, 2013. Retrieved December 21, 2013.
  183. ^'Beyoncé – Beyoncé'. austriancharts.at. Hung Medien. Retrieved January 16, 2014.
  184. ^'Beyoncé – Beyoncé'. ultratop.be. Hung Medien. Retrieved January 4, 2014.
  185. ^'Beyoncé – Beyoncé'. ultratop.be. Hung Medien. Retrieved January 27, 2014.
  186. ^'Brazil Albums : Page 1'. Billboard. Archived from the original on April 11, 2014. Retrieved April 11, 2014.
  187. ^'Beyoncé – Canadian Albums chart history'. Billboard. Retrieved July 28, 2014.
  188. ^'Sino Chart'. sino-chart.com. January 2015. Retrieved February 9, 2018.
  189. ^'TOP 40 STRANIH – TJEDAN 1. 2014'. Hrvatska Diskografska Udruga. Archived from the original on January 8, 2014. Retrieved March 17, 2014.
  190. ^'Official Cyprus Charts'. Archived from the original on February 24, 2014.
  191. ^'Albums – Top 100' (in Czech). International Federation of the Phonographic Industry Czech Republic. Retrieved July 28, 2014.
  192. ^'Beyoncé – Beyoncé'. danishcharts.com. Hung Medien. Retrieved January 14, 2014.
  193. ^'Beyoncé – Beyoncé'. dutchcharts.nl. Hung Medien. Retrieved December 20, 2013.
  194. ^'Beyoncé – Beyoncé'. finnishcharts.com. Hung Medien. Retrieved January 16, 2014.
  195. ^'Beyoncé – Beyoncé'. lescharts.com. Hung Medien. Retrieved April 12, 2014.
  196. ^'Beyoncé – Beyoncé'. charts.de. Archived from the original on October 16, 2014. Retrieved January 2, 2014.
  197. ^'Official Cyta-IFPI Charts – Top-75 Albums Sales Chart (Week: 3/2014)' (in Greek). International Federation of the Phonographic Industry Greece. Archived from the original on February 11, 2014. Retrieved January 27, 2014.
  198. ^'Archívum – Slágerlisták – MAHASZ – Magyar Hangfelvétel-kiadók Szövetsége'. zene.slagerlistak.hu. Association of Hungarian Record Companies. Retrieved July 28, 2014.
  199. ^'Top 100 Album Artist, Week Ending 26 December 2013'. chart-track.co.uk. Irish Recorded Music Association. Retrieved July 28, 2014.
  200. ^'Beyoncé – Listen'. Federation of the Italian Music Industry. Hung Medien. Archived from the original on January 26, 2013. Retrieved February 4, 2011.
  201. ^'Oricon Top 50 Albums: 2014-02-18' (in Japanese). Oricon. Retrieved February 16, 2014.
  202. ^'Amprofon'. Twitter. Retrieved 12 May 2016.
  203. ^'Beyoncé – Beyoncé'. charts.org.nz. Hung Medien. Retrieved December 22, 2013.
  204. ^'Beyoncé – Beyoncé'. norwegiancharts.com. Hung Medien. Retrieved December 22, 2013.
  205. ^'Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart'. OLiS. Polish Society of the Phonographic Industry. Retrieved January 28, 2016.
  206. ^'Beyoncé – Beyoncé'. portuguesecharts.com. Hung Medien. Retrieved January 19, 2014.
  207. ^'Official Scottish Albums Chart Top 100'. Official Charts Company. Retrieved January 16, 2014.
  208. ^'Esenca Bossa De Novo in šestič One Direction'. Val 202. Retrieved March 17, 2014.
  209. ^'South African Top 20 Albums Chart'. RSG (Recording Industry of South Africa). Archived from the original on March 15, 2014.
  210. ^'Gaon Album Chart'. Korea Music Content Industry Association. Archived from the original on January 7, 2014. Retrieved March 17, 2014.
  211. ^'Gaon International Albums Chart'. Korea Music Content Industry Association. Archived from the original on January 7, 2014. Retrieved March 17, 2014.
  212. ^'Beyoncé – Beyoncé'. spanishcharts.com. Hung Medien. Retrieved December 28, 2013.
  213. ^'Beyoncé – Beyoncé'. swedishcharts.com. Hung Medien. Retrieved December 30, 2013.
  214. ^'Beyoncé – Beyoncé'. swedishcharts.com. Hung Medien. Retrieved January 8, 2014.
  215. ^'Taiwanese Albums Chart'. g-music.com. Archived from the original on January 15, 2014.
  216. ^'Official Albums Chart Top 100'. Official Charts Company. Retrieved January 13, 2014.
  217. ^'Official R&B Albums Chart Top 40'. Official Charts Company. Retrieved December 22, 2013.
  218. ^'Beyoncé – Billboard 200 chart history'. Billboard. Retrieved July 13, 2014.
  219. ^'Beyoncé – Top R&B/Hip Hop Albums chart history'. Billboard. Retrieved July 13, 2014.
  220. ^'ARIA Top 100 Albums 2013'. Australian Recording Industry Association. Archived from the original on January 7, 2014. Retrieved January 8, 2014.
  221. ^'ARIA Top 50 Urban Albums 2013'. Australian Recording Industry Association. Retrieved January 8, 2014.
  222. ^'Jaaroverzichten 2013' (in Dutch). Ultratop. Retrieved December 30, 2013.
  223. ^De Toledo, Giuliana (March 19, 2014). 'Disco de Padre Marcello Rossi foi o mas'. Folha de S.Paulo (in Portuguese). Grupo Folha. Archived from the original on March 20, 2014. Retrieved March 28, 2014.
  224. ^'Album-Top 100 2013' (in Danish). Hitlisten.NU. IFPI Denmark. Archived from the original on May 26, 2014.
  225. ^'Jaaroverzichten – Album 2013' (in Dutch). dutchcharts.nl. Hung Medien. Retrieved December 25, 2013.
  226. ^'200 premiers Albums Nouveautés Fusionnées par GfK Consumer Choices France'(PDF) (in French). Syndicat National de l'Édition Phonographique. Archived from the original(PDF) on November 29, 2014. Retrieved February 26, 2014.
  227. ^'Top Selling Albums of 2013'. Recorded Music NZ. 2014. Retrieved April 25, 2014.
  228. ^'2013년 총결산 Album Chart' (in Korean). Gaon Music Chart. Archived from the original on December 12, 2014. Retrieved December 12, 2014.
  229. ^'Top Selling Albums of 2013'(PDF). UK Charts Plus. 2014. Retrieved December 13, 2014.
  230. ^'IFPI Global Music Report 2014'(PDF). p. 12. Retrieved June 24, 2014.
  231. ^'ARIA Top 100 Albums 2014'. Australian Recording Industry Association. Retrieved January 6, 2015.[dead link]
  232. ^'ARIA Top 50 Urban Albums 2014'. Australian Recording Industry Association. Retrieved January 16, 2015.[dead link]
  233. ^'Jaaroverzichten 2014' (in Dutch). Ultratop. Retrieved December 10, 2014.
  234. ^'Rapports Annuels 2014' (in French). Ultratop. Retrieved December 10, 2014.
  235. ^'20 DVDs MAIS VENDIDOS NO BRASIL – Ano 2014'. ABPD (in Portuguese). Retrieved August 3, 2015.
  236. ^'Top Canadian Albums Year End 2014'. Billboard. Retrieved December 9, 2014.
  237. ^'Album Top-100 2014' (in Danish). Hitlisten.NU. IFPI Denmark. Archived from the original on 8 January 2015. Retrieved 11 January 2015.
  238. ^'Jaaroverzichten – Album 2014' (in Dutch). dutchcharts.nl. Hung Medien. Archived from the original on January 2, 2015. Retrieved December 23, 2014.
  239. ^'Bilan de l'année 2014 – Classement des 200 premiers Albums Nouveaux Fusionnés'. Syndicat National de l'Édition Phonographique. Retrieved February 3, 2015.
  240. ^'FIMI – Classifiche Annuali 2014 'TOP OF THE MUSIC' FIMI-GfK: un anno di musica italiana' (in Italian). Federazione Industria Musicale Italiana. Archived from the original on 13 January 2015. Retrieved 14 January 2015.
  241. ^'Top Selling Albums of 2014'. Recorded Music NZ. Retrieved December 28, 2014.
  242. ^'Najchętniej kupowane płyty roku 2014 w Polsce. Sensacja'. Gazeta Wyborcza. 2015. Retrieved January 19, 2015.
  243. ^'Swiss Year-End Charts 2014'. Hit Parade .ch. 2015. Retrieved January 1, 2015.
  244. ^'Taiwanese Year End Charts 2014'. Five Music. Retrieved February 6, 2015.
  245. ^'The Official Top 40 Biggest Selling Artist Albums of 2014'. The Official Chats Company. 2015. Archived from the original on January 1, 2015. Retrieved January 1, 2015.
  246. ^'Top 200 Albums Chart Year End 2014'. Billboard. Retrieved December 9, 2014.
  247. ^'Digital Albums Year End 2014'. Billboard. Retrieved December 9, 2014.
  248. ^'Top R&B/Hip-Hip Albums Year End 2014'. Billboard. Retrieved December 9, 2014.
  249. ^'ARIA Top 50 Urban Albums 2015'. Australian Recording Industry Association. Retrieved January 6, 2016.[dead link]
  250. ^'Jaaroverzichten 2015' (in Dutch). Ultratop. Retrieved December 26, 2015.
  251. ^'Album Top-100 2015' (in Danish). International Federation of the Phonographic Industry Denmark. Archived from the original on January 1, 2016. Retrieved December 30, 2015.
  252. ^'Top 200 Albums Chart Year End 2015'. Billboard. Retrieved December 10, 2015.
  253. ^'Top R&B/Hip-Hip Albums Year End 2015'. Billboard. Retrieved December 10, 2015.
  254. ^'ARIA Top 50 Urban Albums 2016'. Australian Recording Industry Association. Retrieved January 6, 2017.
  255. ^'Album Top-100 2016' (in Danish). Hitlisten.NU. IFPI Denmark. Retrieved December 30, 2016.
  256. ^'Jaaroverzichten – Album 2016' (in Dutch). dutchcharts.nl. Hung Medien. Retrieved December 23, 2016.
  257. ^ ab'W 2016 roku najlepiej sprzedającym się albumem było 'Życie po śmierci' O.S.T.R.' 2016. Retrieved January 13, 2016.
  258. ^'Top 200 Albums Chart Year End 2016'. Billboard. Retrieved December 8, 2016.
  259. ^'ARIA End of Year Urban Albums 2017'. Australian Recording Industry Association. Retrieved January 8, 2018.
  260. ^'Top 200 Albums Chart Year End 2017'. Billboard. Retrieved January 8, 2018.
  261. ^'R&B Albums – Year-End 2017'. Billboard. Retrieved August 14, 2018.
  262. ^'Greatest of All Time Billboard 200 Albums by Women : Page 1'. Billboard. Retrieved February 9, 2018.
  263. ^'Brazilian album certifications – Beyonce – Beyonce' (in Portuguese). Associação Brasileira dos Produtores de Discos.
  264. ^'Canadian album certifications – Beyonce – Beyonce'. Music Canada.
  265. ^'Danish album certifications – Beyoncé – Beyoncé'. IFPI Denmark. Scroll through the page-list below until year 2014 to obtain certification.
  266. ^Hamard, Jonathan (December 28, 2014). 'Beyoncé remixe '7/11' avec French Montana, Diplo et Skrillex. Ecoutez !'. Charts in France. Retrieved March 27, 2015.
  267. ^'French album certifications – Beyonce' (in French). Syndicat National de l'Édition Phonographique.
  268. ^'Irish album certifications – Beyoncé – Beyoncé'. Irish Recorded Music Association.
  269. ^'Italian album certifications – Beyoncé – Beyoncé' (in Italian). Federazione Industria Musicale Italiana. Retrieved January 28, 2019. Select '2019' in the 'Anno' drop-down menu. Select 'Beyoncé' in the 'Filtra' field. Select 'Album e Compilation' under 'Sezione'.
  270. ^'Polish album certifications – Beyonce – Beyonce' (in Polish). Polish Society of the Phonographic Industry. January 29, 2014. Retrieved January 30, 2014.
  271. ^'2013 International Albums Chart' (in Korean). Gaon Music Chart. Retrieved April 28, 2015.
  272. ^'Spanish album certifications – Beyoncé – Beyoncé'(PDF) (in Spanish). Productores de Música de España.Select Albums under 'Chart', enter 2015 in the field 'Year'. Select 6 in the field 'Semana'. Click on 'Search Charts'.
  273. ^'The Official Swiss Charts and Music Community: Awards (Beyoncé; 'Beyoncé')'. IFPI Switzerland. Hung Medien.
  274. ^'British album certifications – Beyonce – Beyonce'. British Phonographic Industry. Retrieved August 3, 2018.Select albums in the Format field.Select Platinum in the Certification field.Type Beyonce in the 'Search BPI Awards' field and then press Enter.
  275. ^'American album certifications – Beyonce – BEYONCE'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
  276. ^'Beyoncé Available Worldwide Now' (Press release). Columbia Records. December 13, 2013. Archived from the original on December 16, 2013. Retrieved December 16, 2013.
  277. ^'Beyonce – CD/DVD'. Sanity. Retrieved December 20, 2013.
  278. ^'Beyonce – Beyonce'. JB Hi-Fi. Archived from the original on 2014-10-17. Retrieved January 12, 2014.
  279. ^'Beyonce – Beyonce' (in Polish). Empik. Retrieved December 15, 2013.
  280. ^'Beyoncé's 'Beyoncé' – What You Really Need To Know'. HMV. December 15, 2013. Retrieved July 12, 2014.
  281. ^Caulfield, Keith (December 16, 2013). 'Target Won't Sell Beyoncé's New Album'. Billboard. Retrieved December 16, 2013.
  282. ^'Beyonce (Explicit) (CD/DVD)'. Walmart. December 20, 2013. Retrieved December 22, 2013.
  283. ^'BEYONCE (CD + DVD) (EXPLICIT VERSION)'. Mixup. Archived from the original on December 19, 2013. Retrieved December 18, 2013.
  284. ^'BEYONCE (CD + DVD)'. dr.com.tr. Retrieved December 22, 2013.
  285. ^'Beyoncé (CD+DVD)'. fnac.pt. Archived from the original on December 31, 2013. Retrieved December 31, 2013.
  286. ^'Beyonce CD+DVD' (in Japanese). CD Japan. Retrieved December 23, 2013.
  287. ^'Beyonce (CD/Blu-ray)'. JB Hi-Fi. Archived from the original on 2014-04-26. Retrieved April 25, 2014.
  288. ^'Beyonce'. Amazon.com. Retrieved July 24, 2014.
  289. ^'Beyonce – 'BEYONCÉ [audio only]'' (in Dutch). Cosmox.be. Retrieved November 24, 2014.
  290. ^'Beyonce – 'BEYONCÉ [audio only]'' (in Polish). Sony Music Poland. Retrieved November 25, 2014.
  291. ^'Beyonce Audio Only Edition' (in Japanese). CD Japan. Retrieved December 24, 2014.

External links[edit]

  • Beyoncé at Discogs (list of releases)
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Beyoncé_(album)&oldid=900870762'

She did it again.

Beyoncé, who in 2013 changed the rules for how pop superstars deliver music with the surprise simultaneous release of a self-titled album and corresponding videos, has returned with a follow-up in the same vein: “Lemonade,” the singer’s sixth solo album, arrived on Saturday night after the HBO premiere of an hourlong, conceptual short film based around the music.

In a twist that played the personal off the professional, the new album and its accompanying visuals — which describe, in sometimes brutal detail, the tribulations of Beyoncé as a scorned lover — were made available to stream Saturday night exclusively on Tidal, the music streaming service owned by her husband, Jay Z. The album is not yet for sale as a download through any digital retailers.

“Lemonade” is “based on every woman’s journey of self-knowledge and healing,” Tidal said in an announcement.

The album’s 12 tracks feature contributions from the Weeknd, James Blake, Jack White and Kendrick Lamar; the songs sample or draw on a varied slate of artists including Led Zeppelin, the Yeah Yeah Yeahs, Soulja Boy and Animal Collective, with production from Just Blaze, Diplo and Ezra Koenig of Vampire Weekend. The HBO special, which was shot primarily in New Orleans, featured cameos from Serena Williams and Jay Z, with spoken-word interludes from Beyoncé, local residents and others. The videos were directed by Kahlil Joseph, Melina Matsoukas, Todd Tourso, Dikayl Rimmasch, Jonas Akerlund, Mark Romanek and Beyoncé.

In one section, Malcolm X intones: “The most disrespected woman in America is the black woman. The most unprotected person in America is the black woman. The most neglected person in America is the black woman.” Elsewhere, the mothers of black men killed by police, including Michael Brown and Eric Garner, appear on screen holding photos of their loved ones.

Beyoncé has spent most of 2016 so far dropping hints about the release. Instead of merely repeating the 2013 stunt of the surprise album, the singer deftly exploited the expectation that she would do it again, with cryptic hints on social media, including photos of the singer with lemons.

In February, ahead of her second Super Bowl halftime appearance — she headlined the show in 2013, 10 months before her first surprise album — Beyoncé released the single “Formation,” also on Tidal, raising fervent fan speculation about what might come next.

After that performance, in which she easily eclipsed Coldplay, the nominal headliners, Beyoncé announced the “Formation” world tour, which is to begin April 27 in Miami and will end on July 31 in Belgium. (Always one to maximize brand synergy, Beyoncé also recently released a line of athleisure clothing, Ivy Park, a partnership with Topshop.)

The 2013 album, “Beyoncé,” sold 365,000 copies in the United States on its first day before debuting at No. 1 on the Billboard chart. Instead of slowly building momentum with advanced singles and promotional appearances, as had been the tradition for pop stars, artists like Drake, D’Angelo and J. Cole have followed Beyoncé’s lead by relying on the wave of social-media excitement that comes with an unexpected release.

Beyoncé has since noted her own industry influence in song: “Changed the game with that digital drop/Know where you was when that digital popped/I stopped the world,” she boasted on Nicki Minaj’s “Feeling Myself.”

This time, she upped the ante with a Saturday night special on HBO, which offered “Lemonade” for free on a weekend that also features the season premiere of its signature show, “Game of Thrones.”

Beyoncé worked with the network previously on the documentary “Life Is But a Dream” in 2013, and again the next year, when HBO aired a concert special based on her “On the Run” tour with Jay Z.

The other big change since Beyoncé’s previous surprise album is in its delivery. While “Beyoncé” appeared exclusively on iTunes in 2013, “Lemonade” comes hand-in-hand with Tidal, which has also hosted exclusives this year from like Rihanna and Kanye West, both Jay Z-affiliated part-owners of the service.

“Lemonade,” which features songs titled “Don’t Hurt Yourself,” “Daddy Lessons” and “Love Drought,” may also be Beyoncé’s most outwardly personal work to date. The videos, heavy on Southern gothic imagery, are broken up with title cards that play on the Kübler-Ross model of grief — intuition, denial, anger, apathy, emptiness, accountability, reformation — as Beyoncé addresses years of tabloid speculation about her marriage head-on.

Beyonce Songs And Albums

“I tried to make a home out of you, but doors lead to trap doors,” she says. Other times, the references to infidelity are less abstract: “Are you cheating on me?” Beyoncé asks. “Big Homie better grow up,” she adds at one point, using a nickname used in the past by Jay Z.

Beyonce Self Titled Album Download Free

There is, however, a happy ending. In addition to having made the album a Tidal exclusive, Beyoncé concludes the “Lemonade” film with a love song featuring footage of the happy couple with their young daughter, Blue Ivy. “My grandma said nothing real can be threatened,” Beyoncé says in a voice-over. “True love brought salvation back into me. With every tear came redemption and my torturer became my remedy. So we’re gonna heal.”